After the Great Earthquake in Northeastern Japan, Mitsuo is sent to a mental hospital from the strain of grief from working to clear out the debris of the disaster. When he is released 3 years later, he feels a moment of happiness as he is welcomed back by his brother Yuta, his wife Yoko, their first daughter Chie, and their second daughter Itsuki, who has a down syndrome.The next day, Chie wishes to go to the amusement park, and Mitsuo takes Chie and Itsuki there. But these happy moments don't last long, and the incident happens at the park. Chie dropped Itsuki on the concrete when Mitsuo took his eyes off of them. Yoko cannot accept Itsuki's death, madly questions Chie and Mitsuo. In this pressure, Chie lies that "Uncle Mitsuo dropped Itsuki." As Yoko goes through a mental breakdown from the shock. Becoming full with regret day by day, Yoko accuses Yuta and questions if he felt relieved that Itsuki died. Hearing this fight between her parents, Chie's heart was also slowly being ...
故弄玄虚的人物设定，把本来就很简单犯罪故事复杂化，女主林智妍支撑着我睇完，之前的奸臣和人间中毒太印象深刻，转型为短发干练造型很不错，后面实在拉跨，这片就是为了悬疑而科幻，实在给不了高分...
设定吸引人，但故事并不精彩且比较无聊。前半程脸盲（相似的脸型、小胡子、短发，衣服区别也不大）导致不好理解情节，后面线索多一些才明白一些
灵魂最后的落脚点应该是乞丐，这样就圆满了，或者附身到老婆身上，这样就可以一辈子在一起了
灵魂想穿越就穿越，想得美。难道你不知道，肉体是灵魂的枷锁吗？
每12个小时灵魂自动更换一人寄生的题材，挺有意思的题材，偏偏故事内核锁定黑帮犯罪片，全片看下来略显无趣！
我倾心于剧院版的可爱又贱贱的John McCrea小天使
故事整体逻辑性只能说一般般，编剧想法很好，导演水平差点，动作戏可以
Sometimes it’s okay for musicals to simplify things; but for a movie, simplification is not necessarily a plus
韩国编剧又突破了，灵魂乱窜，进入节奏太慢，打斗不过瘾！
很好的把舞台上所不能展现的情节展现出来。但感觉故事被改的很奇怪。
点子还行，但是太老套毫无新意。看的时候以为三小时过去了一搜只有108分钟
题材设定有点意思，12小时会夺舍一个人的身体，然后循线索找到开端。大部分逻辑都通，且剪辑也比较顺畅，科幻类型里又一种新颖的套路。就是剧情推进稍有点快，除了主角，其它人物没有立住。三星～
歌还是好听的，就是剧情的各种转折比较刻意尴尬，浅尝辄止。
看过John版的舞台剧 其他的差距真的太大
看过John版的舞台剧 其他的差距真的太大
就喜欢这种从莫名其妙的开头然后慢慢揭开迷雾的真相。男主演技不错的
音乐剧改编电影算成功的，总比同期的《致埃文汉森》好的多。
我发现韩国影视剧如果不提前剧透一下，真看不下去。前奏酝酿还可以，虽然波澜不惊，但也不算磨叽。好在最后 JOHN WICK附体，近距枪战不错。
是爱情片啊，好看。韩国电影的脑洞、创意确实有独到之处。
没有想到开篇的流浪汉居然起到这样大的作用。“我是热狗，你是可乐饼”，真的笑死。
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