Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
这电影太适合我这种英语废材了！百分之70都是minionese～(((o(*ﾟ▽ﾟ*)o)))
好莱坞电影为了中国市场，已经内卷到用华语女歌手唱全球片头曲了？！比《神偷奶爸3》好看，不知道是一开始就这样设计的，还是后来修改的，石头宠物，让杨紫琼的平行宇宙到了小黄人的世界。小黄人们学会了靴猫化的大眼卖萌，还创造了几只动物版和小小鸡，甚萌。
两个主演，其中一个说着反正世界上没人听得懂的话，这让没字幕的我更容易理解剧情了。然后，我想要那只小黄鸡！！！！
小黄人是少有的不管剧本怎么改都能让你过被人们接受的大热IP 蠢萌可爱又有特点的形象 与主角的反差搭配 越来越觉得这个组合卖座不是单纯的巧合 这次融合中国元素 加现在非常惨淡的中国市场 引进是必定赚的盆满钵满 比起迪士尼和宠物这样的IP 小黄人以后可以往乐高德方向发展
小黄人最后被魔法变成兔子和母鸡显得更萌了，但仍无法掩盖故事的老套
很有梗很好玩！！是会让人开心的电影～小鸡仔小黄人太可爱了
谁不想有忠诚又可爱的小黄人陪伴呢，我现在就去写招聘启事……
雖然觀影體驗不錯，但我略嫌創意不夠。反派不夠魅力，劇情轉折不流暢，不喜歡Otto把玉弄丟的那個情節，但喜歡他把它找回來那一段。教功夫很標準化，十二生肖也很標準化，但我真的蠻喜歡片頭聽到中文歌。
笑死了！小鸡minions多可爱啊！小胖子minion追车笑死了. 浓浓的中国元素，旧金山元素，太真实啦，走路走到累哈哈哈 12生肖打架哈哈哈 GEM的片头曲太有印度风哈哈哈
Watched with Ursin in Melbourne crown village, Chinese background, very good one
AMC影院是大号躺椅，和老友记Joy和Chan公寓里的一样，据说可以现点牛排边吃边看，总之就是舒服！
没啥意思，就是来看看小黄人。有的地方挺有乐的。终于知道了小黄人的英语是minions，以及大多数小黄人语竟然是built based on西语
一边骂好莱坞毫无创新的复制粘贴，一边希望续集快点出来。
还行吧 感觉中间好多让我想起穿靴子的猫和成龙历险记 挺儿童向的
有点笑不出来的感觉，小黄人的坏是那种蠢萌的，但老爹的想坏就太刻意了。还有对中式元素的运用总有点怪怪的
看得开心就完事了。虽然套路但可爱的要死。前传来说比lightyear好多了。
不是有免费的电影票我是不会来看的（但是还蛮好笑的哈哈哈
虽然没有字幕，但是每一句都能听懂，好欣慰hhh
狗狗眼卖萌直接给我送走了😭😭😭😭
两个主演，其中一个说着反正世界上没人听得懂的话，这让没字幕的我更容易理解剧情了。然后，我想要那只小黄鸡！！！！
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