Min Ji-suk runs a "ticket bar"where customers can purchase tickets for certain "services"in the town of Sokcho in Gangwon-do. She hires Miss Yang (Ahn So-young), Miss Hong (Lee Hye-young), and Se-young (Jeon Se-young) through the employment agency. Miss Yang and Miss Hong, who are well experienced in this type of business, are used to accepting propositions from customers. But Se-young, who is dating a college student named Min-su, rejects all requests for sexual favors. When Min-su professes to having problems with his tuition and finances, Se-young reassures him that she will procure the necessary funds for him. When the bar's clientele begins to dwindle because of Se-young, Ji-suk reprimands her severely. Se-young develops a close relationship with a Captain Pak and even allows him to sleep with her. She asks Captain Pak to find Min-su employment on a boat, but when Min-su comes to Sokcho for his new job, he sees how Se-young has been making her living. Shocked, he turns his back on the job and leaves. When he eventually returns to Sokcho, he scathingly denounces Se-young's morality and severs their relationship. Decades ago, Ji-suk had stumbled into the bar business in a desperate effort to support her husband, who was serving time in prison; she later left him voluntarily out of shame and moral degradation. Concerned that Se-young will end up with the same fate, Ji-suk asks Min-su to meet with her. She begs him not to abandon Se-young, but he flatly refuses. Ji-suk reacts by pushing Min-su into the sea, and suffers a mental breakdown that lands her in a psychiatric institution.
这个可比登堂入室差得大了去了。。
从质量上来说只是及格，但从影迷情怀来看这是现在少有的悬疑情色b级片类别，还受了希胖的影响。最近正在发现那些几乎被历史遗忘的、属于传统好莱坞风格重要基因的、当下这个虚伪的艺术时代几乎不会出现的风格，性感、罪恶、毫无避讳，它本就是满足特定想象和释放快感的一种娱乐方式，而却不被这个“政治正确”的时代所接受。所以这样看这个片子，质量不高但绝不能叫纯粹的“烂”，它真正释放的电影味道是那些只靠特效“轰炸”的现代烂片永远不能做到的。
互相偷窥互相伤害，你家不拉窗帘我家也不拉窗帘。结尾的毒杀设定和复仇情节略显多余，降解了对女主情欲烧身又同情心泛滥的多面体内心的塑造，同时将伊索寓言的寓意也降格了。
好复古好病态，喜欢颗粒感的画面。梅拉尼做导演也能有模有样。
题材不新鲜 偷窥 跟踪 性欲 不要相信太巧合的事 以及不要干涉别人的生活
现代预言。结尾反转，像是用“不合理”解释“不合理”，前半部分还是很好看的。
感觉有点为了反转而反转 不过女主身材真的好好啊😬
很好看的片子，当你以为自己是猎人的时候，其实是猎物。西德妮斯威尼真是天赋异禀
2019年有部短片《邻居的窗》，讲的就是你在看邻居，其实邻居也在看你。当然一切类似的题材都逃不过希区柯克的《后窗》。
全片最不意外的就是女主和摄影师必会上床，但明明可以有一百种收尾的方法导演选了个最烂最玄幻的，直接把前半段营造的氛围和高级感打破沦为三流悬疑片，逻辑难自洽。
更多露肉和所谓反转版后窗，女主身材好，但脑回路非常不社会主义核心价值观，不行，另一边的男主让我给达响了，看过就算。
那麼
不错的情色+悬疑组合，截止到摄影展反转戛然而止效果会更好，复仇很勉强也没意义，真心讨厌自以为是又蠢的圣母白莲花。
还真有点《后窗》、《偷窥狂》的感觉，讨论不道德的窥探与反凝视，捕猎者和猎物身份的转换与并存，这种深度的内核挖掘在当代惊悚片中非常惊喜，皮帕为了吸到黄金乌干达害死男朋友，茱莉亚不惜拿男朋友的肉体勾引目标，俩狠女人。bug是黑人男友上吊自杀还是被人吊死警察不会判断不出来吧，摄影师两口子瞎了眼居然不想尽一切办法报复女主吗?本哈迪的肉体我的妈呀是我我也沦陷啊
深究起来其实bug很多，不过这么奇情吊诡的故事确实很有90年代情色悬疑片的感觉，但是说白了这还是套了一个悬疑外壳的soft porn。故事到第一次反转结束就很好了，还有那么一点发人深省，非要自作聪明再反转一次，实在是牵强且画蛇添足…刘承羽真好看啊太喜欢她了~
题材不新鲜 偷窥 跟踪 性欲 不要相信太巧合的事 以及不要干涉别人的生活
『当你凝视深渊时，深渊也在凝视你』
『当你凝视深渊时，深渊也在凝视你』
不过，就像其他豆友说的，没有后面的反转会更高级
后面女主的复仇就显得有点多余，就在揭露真相的时候戛然而止更好
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