With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
我的身体和水八字不合
钱老板出场用了赌神的背景音乐，尬住了……说真的，尽管看过很多桑德拉布洛克的电影，也曾为她的美貌倾倒，但不得不说58岁的她状态确实已经难以称得上好。典型的爆米花电影，动作喜剧加上冒险元素，卡司也不差，看到特种兵是布拉德皮特开心的笑了。以为是配角正在抢戏阶段，结果是龙套被一枪秒了。问题在于整体节奏是真的拖沓，完全不用2个小时，唯一值得欣慰的大概是看到钱老板结实的屁股和性感的背脊线。
皮特教獭兔怎么做全球最性感男人 虽然出场有点短
很俗套，好多烂梗，怎么说的，就是感觉很浪费演员的剧本：毫无想象力。但钱老板的屁股是真的一绝，真的是无敌圆润。
除了说这种题材稍微改改完全可以拿来咱们国内拍拍，其他的没有任何亮点，哦，这么说的话查宁的屁股和皮特的头发还是可以看看的
布莱德依旧帅到不行，虽然只是客串了一下下。
就是下班想放松下...前面还好，有皮特的戏份比较好玩，中间开始越来越无聊。。。勉强看完
两位加起来100岁了。。两星致敬两位半百老人。。看两位表演也算是童年回忆了。剧情什么的无所谓了，导演您随意，开心就好。
要是没有Brad Pitt，The Lost City就差点要淹没在公式化动作冒险喜剧的茫茫大海中了。
钱老板的箱子明明是橘色的，怎么海报里面成了白色的了，而且版型都对不上。
好无聊好无聊，本来以为至少冒险夺宝会有点意思，结果并没有，唯一出彩的地方是布拉德皮特出场的那十分钟，整个就是一个大失望。（花了大概十次才看完这么一部…
无脑商业合格作品，主角都是常年演这个类型的角色，没什么过错也没什么惊喜，钱老板本钱还在，很欣慰。
已经把期待值放得很低了，所以自然不会失望，可也没给我意外的惊喜。
金色长发的钱老板，在布拉德皮特旁边全程柔弱无助的钱老板，赤身裸体的钱老板……哎呀，就……
整部电影搞笑不搞笑，迷幻不迷幻，悬疑不悬疑，探险不探险，动作不动作，爱情不爱情。莫名其妙。
什么鬼东西，尝试两次无聊放弃，雷神酱油的老惨了
omg笑死，应该去电影院支持一下的。革命精神in latin先苦后甜。
终于不是老男配少女的传统组合套路了，Sandy姐牛掰。但是电影真的不行。
隔壁神秘海域6.3诶，这个不配吗，确实不够爆米花，结局也不够让人眼前一亮，甚至很平庸，但是喜剧效果好很多啊，桑德拉真的是天生喜剧的料，还不是那种故意搞笑，是真的好笑，然后故事呢就这样吧，动作戏只有皮特的一点，你把这个当作冒险喜剧看，就不会觉得难受了，定位错了
“你就像个人类木乃伊……”
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