这是Richard Lester最好的一个片。
An absurdist classic
This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth?, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example: "And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge?' - and the mummy bear said, 'that's no porridge, that was my wife' ". Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to "keep moving!". Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.
片名太霸气，但跟李白侠客行的诗中意境完全不沾边。剧情背景还可以，打戏也看得过去，但没必要学绣春刀。尤其是男主这个演员撑不起这个角色，远不如绣春刀里张震演的沈炼。这电影开头的几个画面是真的不错，西北、大漠、刀客、策马、残幡，算是这类武侠片的标准缩影。
复古西部片，配乐取景都还不错的，就是剧本偏简单，节奏有点慢。
不特么就林冲和陆谦的剧情吗。。。里面没一个角色在逻辑上的，网大编剧就这？
作者：午夜疯铃（来自豆瓣）
《论补刀的重要性》：超出预期的作品，值得一看。
如果故事情节不行，起码武打动作设计要行，
拍得真好，非常写实，故事也完整合理，陆谦这样的结果是最好的，金满堂最后一句话绝对到位，比同期目中无人（抄袭借鉴太多）高一档次
漫天的黄沙，衣衫褴褛的侠客，是我喜欢的。就可惜拍的一般般
现实主义的武侠片。突出一个真实，底层人真实的生存驱动，真实的侠义信仰，真实的损人利己卑鄙邪恶。动作戏很少吊钢丝飞来飞去，真实的人力械斗，某些POSE忍不住地扭捏做了一下态。总体很朴实、清新，在满屏幕都是上天入地、电闪雷鸣、风驰电掣、地动山摇、万有引力能量守恒定律皆失效的动作场面的形势下，本片实属难得的一朵野百合。
阿里云盘\千里不留行.mp4 2022-02-15 11:13
假使從政治正確的觀點來說，把白人換成黑人，在西部片裡大打出手、亂槍齊射...，並無不可；只是違和感重了些。
向传统武侠致敬，刀刀见血，没有那么多废话，不象现在的那些仙侠片，飞来飞去，叨逼叨逼，磨磨唧唧。刀出手就是要吃肉喝血的。故事没啥新意，吃技术饭的小林被信任的老大老陆坑了，不过是老陆看上小林媳妇了，十年流放没换来小林的醒悟，最后还是被老陆当刀使了一回。不过影片为了政治正确，终究没让老陆获得善报，也算是圆了善有善报的因果轮回的美好意愿了。动作打斗的场景推荐朋友们好好看看，怀念最后的剑圣于承惠
網路評分越來越不可信⋯⋯ 又浪費一個movie Night
真的是比相当多的院线电影强太多了。
《东邪西毒》+《倭寇的踪迹》+《绣春刀》，可能还有一点《双旗镇刀客》，拍摄得很用心，动作设计可圈可点，演员有型但表演略差，可惜剧本毁一切。
动作戏还可以，剧情一般，台词尴尬，尤其是千人斩说台词时很做作而且表情好像很拽的样子。
命运都是幻像，一切早已发生。
太白了，就像片子另外的名字生锈的长刀。打的还没街边群殴精彩，观众迟迟进不去，一点意境都没，很想支持但差的太多
影片还算完整。动作有瑕疵。剧本拉胯，对白有尴尬，衔接（剪辑）有问题，武侠味较欠缺。但我看完了。
主题涣散，像在致敬《东邪西毒》，但却新开了一个服，在大家没有广泛了解背景前开始了散光式的故事推进，想写成散文诗，又属实有点好笑，讲了工友David讨薪记，工头觊觎弟媳十年未出手偏赶人老头回来了摸摸索索，金满堂原地复活十年后又被杀……虽然画面严肃，但仍掩盖不住沙雕本质啊朋友！ 另：以前我好爱武侠片的，但我今年三十二了，再看武侠属实有点中二了，我逼着自己一边把电影看完一边想我到底爱武侠片什么，看着满屏黄沙厚土慢慢想起来，奥，我爱的是自由自在和快意恩仇。
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