The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
“你可以得到我的人，但你得不到我的脑子”，莫名戳中笑点。
缝合，但是缝得很好。而且动画美女做得也比另一位缝合怪好。
我C我C这是国产动画电影啊啊啊啊！故事完整度，可看性都非常不错！故事刚开始不久那场空战非常震撼！这居然能是国产动画水平？！！啧啧，我以后要用顶尖来要求国产动画了！
除了有点俗，居然还挺好看的，小孩子看了会不感兴趣了，剩下我看的津津有味的。。。
不过人家也主要是给小朋友准备的，就不能从成人的角度太苛求了。
7片尾彩蛋开放式结局（不按熊出没大电影标准结局常规出牌）
028号。被影院贴片吸引，感觉这部应该会有点不一样的东西，所以如约来看，居然确实还行，全程节奏在线，孩子们笑得很开心，大人也基本能保持注意力。
特效做的不错，但是这样的剧情和节奏真的适合小朋友吗？
画面还是很棒的，没想到国产动画已经到这个地步了，让人惊喜
陪小黑妹看电影，她爸比看得最带劲……男生真的是对带科技感、未来感的po战无底线地着迷吗？Confused...这可是熊出没ε=(´ο｀*)))唉
谁能想到我都要三十岁了还要带三个外甥去看熊出没呢？更离谱的是我妈，还非要在电影院买个熊…但是还挺可爱的，所以我放到我床上了嘻嘻。
去电影院前还有点怨念，去之后，真香，很好看，大场面也很激动人心，阿布很可爱，熊出没这么多年始终都在宣扬爱护环境这一主题，并且贯彻的很好！
熊出没每年让人最不想看的地方就在于3D，虽然说做得特别牛逼，但还是不要了。模仿了好多电影的名场面就不多说了，老套但老套出了新鲜感，更是一年比一年更注重打斗了，看齐《柯南》？年年春节档，一年票房比一年高，期待明年破10亿！
陪老妹一起看的，儿童场充斥着出声的弹幕，发现孩子们早已深谙且熟稔影像叙事的各种细节，而且可爱地沉迷于3D营造的幻觉映像中——举起手捕捉扑面而来的蝴蝶。这部动画电影给我一种各类型拼盘的感觉，歌舞片超级英雄科幻电影，有许多似曾相识的借用桥段，反派动机要用迪士尼《心灵奇旅》的套路去塑造但又不够深入，人物之间的互动也是偏闹剧类型，而且会多少带点抖机灵，前半部分多是没营养的笑料。但后面关于外星猫咪的科幻故事线还是蛮动人的，落脚点在环境在地球，讨论战争与武器莫名与当下现实重合。比较喜欢宫崎骏那种静谧如水的动画，现在给我一种动画电影也极其短视频化的感觉。立意给星，陪妹开心给星。
儿童题材标准工业电影。觉得3星有了，4星属于鼓励。
比喜羊羊好看点，总体缺乏想象力
和《愤怒的小鸟2》、《雪怪大冒险》是一个水平线，学习了很多电影的走向和形式，给孩子看还是可以的。配乐不错。
说真的还蛮好看的，很搞笑的是以前只是被后排踢座椅的小朋友烦到，今天看到了小朋友被小朋友踢凳子气到不行，哈哈哈哈哈哈哈熊孩子还得熊孩子治
哭死我了 看的是我的童年啊 音乐剧桥段和很多致敬的桥段不错！
新年第一张票用来支持国产动画，熊出没大电影渐渐成为春节档陪娃首选。杂糅了众多元素并穿插宝莱坞风格歌舞的科幻向动画，大人想起了漫威宇宙，娃问我，那个牛大亨就是牛魔王吧，因为他跟牛魔王一样喜欢说“夫人”。😂
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