John Ruskin是英国维多利亚时代的艺术家、诗人、建筑师、思想家，还扶持培养了一批年轻艺术家，不过成为社会新闻的却是他与Effie Gray的婚姻，两人结婚6年之后Effie要求中止婚姻，理由是两人“从未真正成为夫妻”，这桩官司成为一时谈资。John Ruskin承认两人从没上过床，但为自己辩护说妻子的“某种状况”破坏了他的激情。Effie Gray离婚后，嫁给了受John Ruskin重视提拔的画家John Everett Millais。据艾玛·汤普森说，这部新片将从两人的新婚之夜开始，通过John Ruskin的经历和性格来解开这个谜团。
2011.08.17.达科塔取代西尔莎成为《Effie》女主角.
Dakota Fanning replacing Saoirse Ronan in Emma Thompson's 'Effie'
August 16
Source: Deadline
Just last November, one Casting Tidbits update revealed The Lovely Bones star Saoirse Ronan landed the title role in Effie, a biopic about Effie Gray, the wife of English art critic John Ruskin, who became entangled in a famous Victorian love triangle. Now Deadline reports Dakota Fanning will star in the period drama from writer/actres****a Thompson which chronicles the strange romance, or lack thereof, between Gray and Ruskin. Despite her beauty, Ruskin was said to be disgusted with Gray's body, did not consummate the marriage and annulled it, allowing her to marry Ruskin's protégé John Everett Millais.Though Orlando Bloom was once attached to play Millais, apparently Tom Sturridge (Pirate Radio) has stepped into the role. In addition, Thompson will also star in the film as Lady Eastlake, who takes Effie under her wing when it becomes clear the union was destroying the young woman. Her husbandGreg Wise (Johnny English) will play Ruskin while Julie Walters (Harry Potter franchise) and Derek Jacobi (The King's Speech) will play his parents. Finally, Edward Fox (Gandhi) is in talks to play Eastlake's husband Sir Charles a man who was not only fed up with Ruskin and his radical ideas, but also the main patron of the Royal Academy which held sway over what constituted fine art.
Richard Laxton (An Englishman in New York) is directing the film which begins shooting in Scotland on October 17th with shooting to follow in London and Venice as well. The cast has been shuffled on this project for awhile with Carey Mulligan once attached to the title role as well, but a copyright infringement claim held up the film, which resulted in scheduling conflicts for the previously attached cast members. Producer Don Rosenfeld says, "It’****a Thompson’s first original script after doing several fine adaptations, and it gets to the heart of Victorian England." Though this sounds a bit more along the lines of her work on Sense and Sensibility as opposed to Nanny McPhee, her work on the page should make for a great British drama down the road.
是一个很好的剧本，只是节奏不太好。透过不正义手段去追求所谓“正义的结果”，并试图以此将过程合理化，是一件危险的事情。
假如没看过《控方证人》和《误杀瞒天记》我一定会觉得是佳作
看出来导演的野心了，逆转裁判那段特别好，但是前后太多内容是更多的是给国民看的，外国人看起来会有点没那么容易共情。和故事相比，人物就有点脸谱。
21世纪会是印度的世纪，越南电影也分级了，都在进步！
全篇都是热血激情反转的bmg，故事拍的像MTV一样😂印度人很敢拍，仅此而已。
而它的主题公正和法治，我觉得法治已经深入我国民众心底了。
印度这几年的社会题材电影有点韩国电影的赶脚啊。
剧本很扎实，前面的铺垫初看有点拖沓，却在后半段起了巨大的作用。信息化时代，地球果然扁平化了，那些发生在其他国度的事情，就像某些投影…
节奏太慢了，法庭对轰开始部分各个角色的描写太不专业了，故事各种转折也很粗糙。
超级赞！这么尖锐的社会问题竟然也敢拍，也敢上映，真的绝了。最喜欢的是法庭对决时的各种举证和质问，但总觉着有点外行看热闹的感觉，有些问题我都觉着不该那么答的。剧情反转再反转，看的特爽
民意裹挟之下，何为真相？腐败的校园，阴暗的政治，法治的缺位。多重反转的结尾，何时社会才能真正民主
只有50分钟的剧场版《夏目友人帐》，浓缩了两个故事，精致又温馨。
韩国电影和印度电影有反思，有揭露，我们当然用不到，我们有战狼就够了。
从女性生存状况到师生不对等剥削到警方滥用职权到无良媒体对情绪的煽动作用到腐败政客操纵选举。一个看似简单的案件能够涉及到印度社会的种种问题，不能说编剧设计的不巧妙
口号谁都能喊，难的是如何做。这种题材电影，那个国家电影工作者都能拍，难的是是否解决了现实问题，而不是一而再再而三的拍。重视对方，才会想尽办法控制审查；当达到了蔑视的程度，谁管你，反正也掀不起大风浪，你想怎么拍就怎么拍。我并不希望以后我们国家这种类型的电影遍布，如果真的到了那个时候，说明真的烂了。任何人都以为自己了解真相，然而你看到的却是别人要你看到的。
这剧本太有张力，最后几分钟怎么像下一部的预告片
一个国家的尊严等于它给女性的尊严！！！
媒体确认真相，警察执法，社会还会向着更好的方向发展吗？
处于水深火热绝境的当地人估计没机会看到这片，估计也看不懂，不如趁热喝点白牛浆拜拜神衹。善恶对抗的情节，情绪调动的高潮迭起，但作为电影挺low的
问题是，现在这把锄头去哪儿找呢？
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