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分类： 喜剧片 2010

导演： 西里斯科什·慕克吉

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剧情介绍

　　喜剧，讲一个男人通过装假胡子装扮成兄弟两个人，周旋于女友和未来岳父之间，因为岳父喜欢有胡子的人，认为有胡子的人成熟稳重。
　　Ramprasad Dashrathprasad Sharma (Amol Palekar) is looking for a better paying job. He and his sister Ratna (Manju Singh) have no relatives or acquaintances except Dr. Kedar (David). Dr.Kedar tells him about Bhavani Shankar's (Utpal Dutt) firm known as Urmila Traders. Shankar is a weird man. He is a man of traditional values, hence he naturally hates youth wearing modern clothes. He is a sports fan, but thinks lowly of youth knowing anything about sports. But his most weird trait is hatred towards men without moustaches. He thinks that men without moustaches are characterless.
　　Ramprasad has a moustache. He takes care of other problems by wearing kurta & feigning ignorance about sports. Bhavani hires him immediately. Ram is a hardworking guy, so Bhavani (& Ram) have no problems. However, Ram once takes leave by pretending that his mother (who died many years ago) has taken ill, and goes to watch a hockey match. Bhavani Shankar, who also attended the match, sees him there.
　　The next day Bhavani summons Ramprasad to his office and asks him about the Hockey match. Remembering the plot of a movie a friend of his is shooting, Ram convinces Bhavani Shankar that he had seen his "moustache-less" identical twin Lucky (alias Lakshmanprasad Dashrathprasad Sharma) at the stadium.
　　Bhavani Shankar buys his argument & feels bad about accusing him and decides to make amends by hiring Lucky to teach his daughter Urmila (Bindiya Goswami) music. Ramprasad reluctantly shaves his moustache to become Lucky and starts to teach music to Urmila. He is helped by his actor friend Deven Verma (playing himself).
　　Now Urmila aka Urmi is the exact opposite of her father. She takes immediate liking to Lucky, while Ram is barely noticed by her. Bhavani notices this & gives Ram another job to tutor on the pretext of her exams. Meanwhile, Mrs. Srivastav (Dina Pathak), a socialite, is roped to play the part of Ram, "Lakshman" & Ratna's mother. Like Ram, she also ends up playing her own twin in front of Bhavani.
　　Ram decides to tell Urmila the truth. Urmila tells him to tell the truth to Bhavani as well. Ram goes to Bhavani to tell the truth, but Bhavani sees Ram's moustache giving away. Bhavani exposes Ram, but ends up thinking that Lucky murdered Ram & impersonated him to marry Urmila.
　　In a hilarious chase that follows, Bhavani ends up totalling a police jeep. The Senior Inspector (Om Prakash) mistakes him for a thug named Pascal D'Costa & is about to lock him up in the jail. Only when his Inspector identifies Bhavani Shankar by his real identity is he freed. By now, a harried Bhavani has developed hatred for twin as well.
　　On coming home, he finds that Urmila & Lucky are married. He refuses to give them blessings, until Dr.Kedar comes to the scene & explains the whole situation. Now, Bhavani becomes even more furious, but on everybody's insistence, relents. The film ends with a family photo of Mrs.Srivastav, Ratna, Urmila, Ram, Dr.Kedar, Bhavani's sister Kalindi (Shubha Khote) & Bhavani (who is shown without moustache).

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评论:

  • 彩岚 4小时前 :

    有惊喜有失望：阿莫多瓦谈政治，果不其然又是掺杂一篇狗血故事来讲的，不比一些谙熟于传递政治意识的导演，阿莫多瓦还没能完全参透其中奥秘，整体表达显得有些青涩；“平行”这一主题自始至终贯穿影片，非常有设计感的时空线交织脉络清晰，转场鲜明，国家历史和骨肉情爱两条线彼此并无过多交集，女性依旧是其中的不变的母题：是生生不息的见证者与崇高精神的继承者，在影片中多次予以赞誉；聚焦西班牙内战与独裁：长枪党与社会党，报错的孩子与错付的信仰，错误无法被纠正，逝者亦难以重生，好在影片给予希望：历史终究没有被遗忘，尘封的乱坟重见天日，纪念仪式完成了一场神圣的精神过渡，从安息于此的祖先到襁褓之中的孩童，个中纽带便是母性。

  • 卫家玲 6小时前 :

    真的不明白，Netflix一次次花巨款拍这些东施效颦没有灵魂玩意到底是谁最后这么坚持，罗素兄弟这个钱是不是太好赚了点

  • 妮玲 6小时前 :

    《回归》之后最喜欢的一部阿莫多瓦，将历史的幽灵和当下的狗血生活杂糅进一部电影里，其实比较散，关联性不强，但这恰是我所喜欢的点，我不能接受侯孝贤在《好男好女》中那样的做法

  • 卫素青 0小时前 :

    老导演保持活力的数伍迪艾伦和老雷，老马丁次之，阿莫多瓦再次之。

  • 学夏兰 0小时前 :

    看似不关联的全都是生活的关联，所有的未来都与所有的过去有关。

  • 文嘉 4小时前 :

    3.5 感受到了历史部分的提升 可是两个女人之间......

  • 塞雨信 5小时前 :

    6/10。家庭的代际创伤与内战强加给国家的沉默建立了清楚的联系，雅丝娜执着于寻找内战受害者的坟墓，她愤怒地回应安娜对挖掘历史记忆的漠视，然而作为母亲的雅丝娜对安娜的沉默与欺骗，又与当局对可耻历史的忽视是一致的，当雅丝娜发现把安娜的孩子抱错，又得知亲生子在睡眠中猝死的消息时，她没有准备好处理这样一个错误的结果。阿莫多瓦将母性痛苦的遗留和内战时代的遗产进行反复呼应，如帮助雅丝娜鉴定她被杀害的祖父遗骸的法医，告诉她政府停止了挖掘内战乱葬岗的拨款后使她怀孕（留下了一个未处理的麻烦），而安娜怀疑在医院抱错时，擦拭自己、孩子和安娜的嘴核对DNA，这动作像姨妈接受口腔取样来核对祖父的尸体。结尾村民携手走向乱葬岗，那里工人们已把清理出的尸骸分类编号，当墓地揭开时雅丝娜宣布再孕，破碎的家/国记忆得到了某种形式的复原。

  • 壬芸熙 4小时前 :

    抱错孩子能扯出这么些事儿，不断往里头加料：我们都是女权主义者、男人也就出个种子、忘记历史意味着背叛……也就是阿莫多瓦，我们才能耐心看完。

  • 乐高飞 2小时前 :

    阿莫多瓦为数不多直接触碰向国家历史与记忆的一次严肃讨论，借新旧世代的女性/母亲与抱错的孩童化作不同立场与派别对待历史真相，庄严古典的淡化转场方式奠定了肃穆的基调，无视与掩埋也无法泯灭历史的伤疤与苦难。

  • 任吉玟 4小时前 :

    我真的麻了，阿莫多瓦的作品对于我来说永远像个弗兰肯斯坦

  • 婷薇 5小时前 :

    【NO.40】其实题材挺好，前半段营造的也不错，既有地理上也有时空上的平行，但后半段垮了一点……

  • 家家 3小时前 :

    我就知道搞着搞着就会百合起来。部分摇镜头和特写大可不必。（红色相机包和老柯的一模一样。）

  • 性妮娜 9小时前 :

    一个很精妙的抱错孩子的故事，放置在一个历史惨剧的大背景之下。先是发现孩子不是自己的，后又知道自己的钱生孩子死了，再然后跟孩子的亲生母亲同居共同抚养、到最后坦白后失去了孩子，最后跟孩子的爸爸又重新怀了孩子。而与此同时，自己姥爷的遗体、也被重新挖掘出来。这一家人的血脉终于承前启后的流传下来。最后所有受害者家属一起围在乱坟岗的画面，太好哭了。不过想来想去，跟整个片子的关系也并不很大，还是有点硬塞的成分在。阿莫多瓦到底是有多喜欢佩内洛普克鲁兹！这才是真muse吖、而老阿也是真长情～男主是我的菜，我的菜，我的菜！😘

  • 帝良 8小时前 :

    就是那种，十年前在广州地王广场还是哪买盗版dvd的时候看到有眼熟的明星+看起来略有噱头的剧情介绍就顺手买回来，在一个百无聊赖的晚上看完，不好看也不难看，看完立刻忘记所有剧情，就这样度过了宁静、寡淡而平庸的一天，的那种电影。

  • 宦凡阳 0小时前 :

    女性叙事+经典多线剧情，尽管全西语无字幕，但还是比想象中容易理解。不过居然还加入了lesbian戏码是我没想到的……

  • 俊婷 7小时前 :

    阿莫多瓦第五部，最后的镜头无疑是令人印象深刻的，可祖辈（历史）与后代（未来）作为全片的两大执念的对位实在有些牵强。最大的问题在于这个“平行母亲”的概念本身，如今实已无法构成奇情，屏幕前的人在全知视角下更加无法与剧中人物达成情绪上的共振。

  • 卫昀峰 7小时前 :

    多元家庭，血脉连接，战争伤痛，全部是中景和近景，房间好看，这是基因检测宣传片吧

  • 仉诗蕾 3小时前 :

    3.5 是越老越稳重还是越老越畏缩？失掉了年轻时的疯癫，一惊一乍的特色倒是不减当年。

  • 公冶半双 9小时前 :

    牵强在，一次命题作文，阿莫多瓦拿出最擅长驾驭的素材，主题完成得似跑非跑。真的好喜欢导演的审美。

  • 妍桂 7小时前 :

    他们为什么做到把女性主义表现得如此自然不刻意的？

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