The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
“tonight we honor what was lost,but we also commemorate what we found”
看完之后又去回顾了下911事件 窒息和难受
呜呜呜呜泪目了,什么时候国内也能有这种类型的优秀音乐剧……
泪目了好多次,到最后消防员母亲得知噩耗的时候终于绷不住了,曲风虽然不是我喜欢的,但是从纽芬兰岛这个角度看911的取材非常特别且意义非凡
悲与喜带来的历史与2022之间的一致性,使得苦难没有意义,虚无又穿透了我。
太感人了,一把鼻涕一把泪,看的是b站的音乐剧版本,有朝一日百老汇看现场!真善美的故事好棒啊哈哈哈☆( ̄▽ ̄)/
但愿吧。
好久没有一场表演能同时带来两种眼泪了。
第一次感受到了舞台剧的震撼,这还是隔着屏幕的感受,在现场的话,非常幸福了!
让我大受震撼!舞台剧的魅力!全程沉浸其中!
不过还是感到很新奇,因为对于舞台剧的艺术形式虽然了解不是很深、只是泛泛的看过一些音乐剧,但是经过前一阵子参与学校的一个话剧制作,对舞台剧这种形式多少也有了一点了解…所以对这部剧的整体构建模式很惊叹,原来只见过快速的场景变换,几个演员换个衣服、灯光变一下就是空间变换了,但是这种大规模的一人饰多角,在配合上频繁的剧情空间变化…真的是的十分大胆,十来个人感觉演了好几十个角色。
看的是官摄所以标个电影吧~很感动…机长之歌很振奋;“tonight we honour what we lost but we also commemorate what we found”。
Tonight we honor what was lost But we also commemorate what we found
塑造了一群热情友善的小镇居民。被文化输出了。
有时候也需要一些温暖的鸡汤,真情动人。对灾难的讲述切入点很特别,技术上很强(卡司也太累了吧)
甘德的故事大概就是地球村的美好幻想吧
看过现场,重看官摄还是很激动。记忆全部都回来了。有几个演员是发福了啊😂
9·11二十周年&疫情时的官摄意义非凡。演员们魅力四射,编排和演唱数度让人感到激动与兴奋。“Be anxious for nothing拥抱不同,能够真诚地相信爱,付出爱。”当下的人类,无比需要这样的作品来激励并唤醒人性中的善良和爱。
“To celebrate the best of human spirit.”
看的第一部音乐剧
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