Lois Ames is devoted to her job as the editor of a magazine, and her wealthy husband Fred is equally dedicated to polo and parties. Lois's long hours drive her secretary to quit, and she replaces her with Tom Sheridan, who happens to be in the office demonstrating a rowing machine. Tom likes the work and continues to advance until he is indispensable to Lois. Ruth Holman, Tom's fiancée, is jealous of Tom's relationship with Lois and with some reason, as he is falling in love with her. In the meantime, Fred is having an affair with Ann Le Maire, a woman whose interests are closer to his own. Because he feels his love for Lois is hopeless, Tom quits his job and plans his marriage to Ruth. Lois tries to patch things up with Fred, but he suggests that they divorce instead. On Tom's last night, Lois keeps him working late. Ruth is furious and storms up to the office where Lois and Tom are dining. She threatens to tell Lois's husband about their relationship, which leaves the way clear for Lois to announce her pending divorce. Ruth breaks off her engagement to Tom, and he immediately asks Lois to marry him.
看完后才发现电影名叫巨型漏洞而不是巨型漏斗。。。
還是很Jean-Pierre Jeunet！蠢蠢的但是很感動
一个谎言，一首叙史诗，科林费尔斯最好的间谍时期还是在圆场里的那个善于观察的bill…
很喜欢炮火轰鸣的战争片中这样在后方做着一些看似与前线战斗无关，但其实四两拨千斤的工作。感情戏是真的很多余，还整了个三角恋，这间谍当得非常不专业……
怎么感觉一个挺好的战争故事片生生搞成了爱情片
不敢相信这是热内的电影 流媒体到底祸害了多少导演了啊？？
不知道怎么说，有舞台剧的形式，但看起来又好像闹剧。
疫情封城禁足语境下的时令之作，一种“复古科幻”，缤纷色彩里面裹挟的科幻想象已经是陈词滥调了，只能作为法式无脑喜剧看，并无新的灵感或批判。1375
色彩还是很导演。。窥见了未来世界可能的一角。。就图一乐吧
导演对于科幻和现代社会的理解仍然停留在上世纪七八十年代，无法代入也就get不到笑点。
密室逃脱。“因为我们都是充满缺点的原创产物。”
廉颇老矣，除了画面和场景的水准一如既往，别的都没了
二战历史性的一刻，一个计划背后的故事，可以看看。
科幻的不能再科幻了。
“历史由胜利者书写，但事实真相只有亲历者才晓得”
前面有15分钟睡着了，可能期待有点高，本以为故事能讲得更加激动人心一点，感觉可能还是得去看纪录片。
法国人拍的「科幻片」更接近某种思想实验，着眼点在于科技对人性和社会的异化。但这些重点表现的话题对大多数中国观众是基本无感的。
现在的电影人用好的影片一部一部的为我们展示着历史中重要的事件 胜利者用影片回忆着每一个胜利的时刻 书写着每一段历史
好看的，还挺法国的。不新鲜，但是在封闭空间内完成度蛮高，加上各种设计是有趣的（虽然我不喜欢这种色彩风格）。看到新冠我吓一跳。
20220705——175；剧情改编自真实事件，二战时期一个迷惑德军掩盖盟军西西里岛登陆的欺敌行动。科林·费尔斯依旧帅。
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