"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
不得不说，拍的是真差！毁了我童年小说。集体作弊是什么鬼？！
小时候最喜欢的童话大王，现在才有电影版，集体出猫这个情节太不应该了，但是情怀大于情节！
魯西西長在了我的審美上，故事也挺感人的，雖然跟原著不太一樣，但～依然是個好故事。
[cp]《皮皮鲁与鲁西西之罐头小人》好看，不仅仅是童年的回忆，也是将一些大道理深入浅出说出来，同场很多小朋友都能接受，可惜排片太少了，好电影不能错过！希望有更多的郑渊洁童话改编成电影，加油！
北欧近来很多这种恐怖片，好像在说，我知道我们社会好福利好幸福指数高，但是我腻了。
把人工智能换成蛋…剧情基本一样。孵出的是啥？鸟人？鸟变人？
小女孩演得好，得知母亲出轨但是又被母亲pua的表情拿捏得很准。
有其母必有其女，教育子女要成才就是在孵化他们去善变残忍的一面，人之初性本恶。导演的恐怖设定有想法 3.5
基本忠于原著吧，里面很多台词和桥段都是意向深刻的。毕竟这是我最幸福的童年的记忆。还不错吧。
50/100 以母女关系为切入点，对和谐的家庭关系下暗流涌动的危机做解剖和演变，女儿最终在母亲的严苛之下完成了毁灭，取而代之的是邪恶异化变体的重生。但整体来看，高开都没做到，也就中开低走吧，过度的反差感淹没了应有的神秘气质
其实还是再说青春期叛逆和家庭教育给孩子带来的影响。
造型不错，就是北欧性冷淡风格太清新了，血浆又很收敛
我吐了，看的人真他么着急 ，那个女的也是真变态 我c
四星给童年的美好回忆吧！
无论是故事的叙述还是小演员的选择，都与前几年的短片《驯兔记》相差甚远。但其间很多道理还是对的，这么说吧，优点都是郑渊洁的，缺点都是导演的。
题材、画面都属于“中规中矩的别有心裁”，一般般吧。
带娃看的，比想象的好看多了，有笑点有感动，泪点极低的丫头哇哇大哭。
带有北欧神话味道的寓言故事。透过一只异形鸟类来讲述异化的家庭关系，异形鸟越来越象女主角的情节，似乎印证了她在这个关系扭曲成长过程中吸收的负能量。一人分饰“两角”的年轻女演员让人眼前一亮，其难度与惊艳程度与米娅·高斯在《X》里的表演不相伯仲。
导演关于情节节奏的掌控实在是一团乱麻，再多的隐喻与深奥的表达也索然无味
孵化，开始其自由生活的过程。女孩身上里面拥有自己的孵化，互相伤害，控不住替杀人可怕，结果女孩赶紧挡住孵化的人，被母亲杀女儿的心，做错了事很后悔很自责，没想到她活了，体会母爱的感情
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