Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
呵，套路，幼稚，时间点到了，新冠不说说嘛？
“能不能 重来过 回到开始，
现在的年轻人都是见面第一次就可以啪了吗，然后办公室会议室羞耻play？
台词都是我和对象吵架时的，一模一样。但电影缺少了打动人心的地方，这是为什么呢？
都不知道用什么语言来形容糟糕 女主明明知道不适合了还是被时间滤镜成了爱情
两位北漂一族的爱情故事，以年为单位，从热恋到矛盾争吵，再到分道扬镳。故事很细腻真实，帝都巨大的工作和生活压力下，不再是“过”生活，而是被生活给“过”，爱情的样子还在，但爱情的感觉被迷失了，到最终才明白所有的物质、所有的面子都不是爱情的答案和目标，而陪伴和理解才是。以年为单位的陪伴，看尽人生的一个个奇迹，牵着对方的手走过每一段路，聚沙成塔终成白头偕老。
齁死我了~哈哈~挺轻松的电影~就是一个人看完，有点…唉~
不懂这片的意义，投入了时间和精力，不寻找那些相识过程中的暧昧或者恋爱日常的悸动，反而去挖掘关系倦怠期中的争吵与矛盾。确认关系和恋爱甜蜜的时间线拉的过快导致我觉得男女主的爱情没有基础，完全就是闪恋闪分闪复合。对于争吵的笔墨过重导致男主也是莫名其妙从头到尾一直都在求理解求原谅。想催恋爱催结婚就搞一些美好的邂逅相互推拉的暧昧或者普通又甜美的恋爱日常来拍啊，非要突出矛盾争吵后的莫名和解，把杯子砸掉才能回忆起完整时的美好么？这样的内容只会让人觉得单身极快乐吧。
整体是低智片，个别地方也算用心。。。求科普：给狗做心脏复苏，也是那样按压么？
刚想说总算有个电影让明显赚不到钱的case真正赚不到，结果一转头就让男主自立门户弄成了个更加赚不到钱的app；这电影里爱情的主线也和这个细节一样在最后关头泄了气
我彤姐牛逼，最后20分钟真的完全垮掉，像是一天就能写出的剧本，杨玏感觉总演这种角色，原来是和我姗姐哈哈哈。
因杨丞琳演唱的宣传曲而来，本来以为无非是狗血加一地鸡毛，其实还很真实。
啥啊，豆瓣的评分真是越来越水了。一群人都有矫情病。
普普通通的爱情故事吧，甜是真的甜，虐也是真的虐，结局过于美好，有点脱离现实吧。
翻版《花束般的恋爱》，得出结论一线城市是人类fire之敌
恋爱过程中与他们想通的情绪太多，但是现实中的恋人或许处理的方式各不相同，谁不是总在崩溃中自愈。ps看过太多现世向的结局，这个happy end我爱了，相爱的两人不应该消失人海呀
和男朋友一起看的，哭了三次。第一次是男主说不合适，女主哭着说分开的时候。第二次是看到男主拍的视频的时候，第三次是他们复合的时候。
22年3月9日，能同甘不能共苦，刚好最初遇上共苦期，遂崩；多年后苦尽甘来，复合也是可以的。原来男主是杨立新的儿子
前半段的甜蜜部分稍显油腻，后半段的剧情反而更贴近现实，但总感觉俩主演不太适合演电影，好像是在看一集加长版电视剧
男女主重逢后，女主通过男主做的app看见了分手后男主记录生活和心路历程的视频，发现原来他一直都还爱她。有点点泪目～ ps：希望和男朋友也可以谈以年为单位的恋爱呀，今年，明年，后年，无数年～
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