This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.
comments from imdb:
This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.
This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.
The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.
I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.
15 out of 10 and then some. 10/10
Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.
And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.
The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".
Intelligent, emotional, tragic and real, this is an absolute gem. 9/10
哈哈哈从休闲裤和板鞋到紧身裤和皮靴象征着音乐风格的转变，但一次都没合体排练就上现场也太理想化了，贝斯手的设置还是很有道理的，毕竟最开始的贝斯就是从低音提琴来的…总体来说没有那部重金属囧途来得带感哇，太小打小闹啦
为什么所有奈飞的creep们都有sex我却没有🚬
再想一想，活结二代都出道了，摇滚乐什么时候能再登主流舞台！
中规中矩青少年音乐爱情友情成长片儿 就是给黄老板的歌儿唱的也太难听了叭
小丑回魂正太长大中分的样子看起来好像年轻时的Michael Pitt，长发男二好像年轻的Ezra Miller。。。
萌新小正太和摇滚乐队，大提琴和重金属演奏，看似毫不相干的组合却擦出了最绚烂的火花。虽然主题还是很老套的校园边缘人物通过组织乐队赢得比赛并在准备得过程中克服困难化解矛盾找回自我和自信之类的东西，但还是拍得挺有趣的。男主看着斯文瘦弱表演起来却充满野性，女主之前看似腼腆内向换上哥特妆后完全变了个人，连胸前都这么有料，这些反差都很不错。为了登台表演把乐队名字直接给改成花骷髅了也挺逗。男二这个角色还挺有意思的，能不顾别人的看法活在自己的世界坚持自己的热爱也是一种很让人羡慕的境界。
男孩子上学时候还是得靠体育和音乐来好泡妞 得有一技之长
纪实影视，会放大善与恶，普通与特殊。在全球意识正确的背景下，电影显示一个种族的抗战与牺牲，但意识形态也完全西化，本土传承与文明被弱化甚至否定。
每个热爱metal的人都是偏执狂，包括我自己。
很棒的音乐，猜到了女主最后的出现，但是没猜到女主居然这么有料，这么炫酷！
典型的美式青春，不讨喜之中大提琴融合的金属乐却又有点酷。
男二是最常见的金属党 留长发穿T恤 无论多大一直中二 中间来应聘的那个金色头发如果做乐手一定很招女孩子喜欢 每个青春电影里都会出现一个傻大个 女主和男主有点weirdo但很可爱 最普通的衬衫穿在少年身上也闪闪发光 想念在迷笛冲撞 想回到19岁
你不是一个错误，别让他们纠正你。最后一曲为电影拉回一星，女主的演奏美到我灵魂出窍！
男二是最常见的金属党 留长发穿T恤 无论多大一直中二 中间来应聘的那个金色头发如果做乐手一定很招女孩子喜欢 每个青春电影里都会出现一个傻大个 女主和男主有点weirdo但很可爱 最普通的衬衫穿在少年身上也闪闪发光 想念在迷笛冲撞 想回到19岁
还是很典型的美国青春剧，简单也不是很做作，玩音乐简单是因为单纯热爱，把彼此最美好的送给最爱的对方也是因为热爱，为了梦想可以拼搏一把相信自己就是最好的青春证明啊。
为什么要烧钱？钱是可以随便印的啊，又不是金条不可再生。 银行主管那个女的死的太不值得了，人那么好。
四个大佬在泳池边客串的时候太惊喜了
只是借了一些噱头，仅此而已，除了找了几个符号化名人之外，还是更像一个开玩笑的网大。
可可爱爱的重金属修炼手册 几场练鼓和最终表演戏份都压住场了 小情侣的化学反应也还行 Jaeden Martell弟弟的存在感不容小觑 从恐怖到悬疑到如今的青春电影都表现不错 而D.B. Weiss再就业的这部口碑也hold住了。
想起了唱街，更加贴近我们年青时候，也更搞笑。
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