With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
怪东西恶心东西血浆肉酱真的看一部少一部了！还能个个有惊喜！东南亚故事好评！！！
画面很血腥 但是故事都挺无聊的 守夜那个稍微好一点
3>4>1>2 我觉得守夜最烂啊 莫名其妙的 然后就是地下道 有点意犹未尽 在是邪教 跟美国政治结合这个还蛮有意思的 爆炸血有点搞笑 机械人这个还蛮有意思 最完整 最后那剧情还有点意思 有点像bioshock那游戏 总得来说可以更好吧 脑洞再大点就好
6.2/10怎么说呢，整体其实挺无趣的，感觉纯粹是为了伪而伪，故事也不新鲜，就这样的时长分配都没讲出什么东西，可见内容是如此的空虚。
3124！去年看了一遍今天发现没打卡又看了一遍，嘶，就是爽。我感觉还没过瘾.....因为它故意设计的糊像素有的地方看不清，比如鼠人的脸，3的设定刚看的时候把我虐到了orz还好最后女主没死。2完全就是我想玩的那种视角！！！希望哪天做梦能梦到（搓手
就感觉好像这个系列已经开始摆烂了，想法不是不好，但是感觉都想不认真拍了，第三个故事叫什么啊，一群人玩尬的手舞足蹈，第四个故事更是乱七八糟
第三个人体机械恶魔太有游戏感了，有点东西。
1.新聞工作者真的很危險。 2.守靈夜驚魂。 3.變態醫生和他的戰爭機器人。 4.吸血鬼的復仇。 5.血の錄像帶。 總體來說：1>3>2>5>4
鼠人我喜欢 机器改造那个完成度超高 只是我没想到就真的是全程做旧特效啊 接受不了
103分钟24秒 30fps 流媒体WEB
越拍越烂，没有一二部那些诡异新奇的想象，只剩下极度重口的残肢断臂，但这不是恐怖，是单纯的恶心和生理不适，我一个丧尸片爱好者都看得反胃，不推荐。
邪教小电影合集？出了血腥也没啥了，san值完全不受影响
总体合格 主线比较无聊 其余小章节都有惊喜 尤其肉体改造那篇 有《铳梦》的味道了。
最喜欢the empty wake，氛围感太足了，好几次吓到尖叫，其次是机器女，场景和机械设计很狂暴，最后是老鼠人，不过还是有点没头没尾的，总体来说回到了前作的感觉！喜欢
啥玩意。2022-1-9 21:00:45
四个平庸的短篇凑齐来还算不错。《真·鬼影实录》＞《下水道的美人鼠》＞《自爆吸血鬼》＞《赛博疯子的诞生》 其实还是第三部的《平行世界》最cult。（2022.4.27豆瓣6.3分）
血浆是够了，就是晃得人有点头疼，也没什么剧情，第二个守灵堂的故事还挺紧张的，其他的一般
超喜欢这个系列，这个系列的印尼篇都很好看。
第一个故事和第三个故事可以专门挑出来看一下，其他的可以直接跳过，这个镜头晃得头晕，虽然知道是伪纪录片，但也不至于这么晃吧。。
第一次看录像带系列，还蛮喜欢的。摄像头人造人cool，雨夜守灵味道足，吸血鬼的血遇光发生爆炸这种想法真妙。
Copyright © 2015-2023 All Rights Reserved
