Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
就，剧情无话可说，单纯欣赏100分钟男女主的脸吧。
啊这…狗血得我都不好意思为结尾那唯美的一幕动容了 这剧情确实哈哈哈 没个几年古早言情小说阅读史还真不敢随意猜测哈哈哈 但我土包子一个 人家能真的拍出来咱就真能看 还怪上头的hhh 期待下一部！唯一一点就是男女主的sexy对手戏虽然随着关系的深度发展不断多起来了 但感觉没有第一部的暧昧和悸动 以及第二部沙发上那段性张力极强的氛围感惹 咱就是说 不管怎样 感觉女主越来越美了 哈登那种荷尔蒙全开的眼神真的有被钓到哈哈哈
The ending was a hell of a plot twist, so unexpected.
反派着实是有点缺乏人格魅力了，哪怕设计成一个偶然情真意切地被古老文化迷住的失意富二代也比现在这样的好。
结合了宗教信仰 舞台艺术 社交网络 登革热 以及超现实主义的me too故事 就还挺有趣的。表演有点拖后腿 不过好歹 人家印尼电影也算成功输出了…
给两星是因为男女主确实好看。但剧情也太拉胯了，全程关注点只在脸😅
结合了宗教信仰 舞台艺术 社交网络 登革热 以及超现实主义的me too故事 就还挺有趣的。
看电影却看了一集电视剧…还要找前两集来看，再等后续
第三步整体有些跳跃，似乎为了后续在铺设剧情，为了doi而doi，有些都没有链接感。前两部都是比较完整，最后铺设一点表示未完待续，这次啥也没说明白。主角两位依旧是养眼的，这也是看下去的动力哈哈哈，H已经有很多需要解决的童年阴影和成长过程中的情绪问题等等了，却又要不断的面临新的挑战，不免让人有些心疼。而T的自我成长这一部也没有太明显的表现，但T一直是相对有主见向上的状态。还是期待下一部的，希望两个人的不安感都能随着阅历的增长和彼此的沟通而缓解。
非常玛丽苏，但是男女主脸太好看了，又是提高自己择偶水平的一部剧。
这个电影其实可以特别低成本的，剧情啊拍摄制作什么的根本都不需要，就，滚动放几张Channing Tatum的写真照，我等目标观众就可以一直看的
印尼女性维权题材，挺佩服这样的坚强执着的女生
呼！看完了，剧情一如既往的不怎么样，这片大概就看个肉体和脸，男女主how pay！！！
成功牵扯到两代人的恩怨了，比第二部要好得多，有本事你就一直拍下去，我一部都不会落。
与广大的豆瓣网友一样：这尼玛还有3？但我还是看了😂。更过分的竟然还有4!!!
后背发凉，只有待在自己家的房间安全，并且所有电子设备的摄像头全都遮盖。泪奔了，只有妈妈知道我的胎记。
20220405 充满惊喜。节奏不温不火，主演表演到位带点drama味。本来看到女主在众人和镜头前“认错”，感觉已经到了一个现实主义的结尾，准备好起立鼓掌了，没想到后面还会有一个如此超现实和戏剧化的桥段。由drama始，以drama终，向印尼电影致敬。
不敢相信2021年竟然还有那么狗血的电影……
封面两个从头到尾都像是来度假的，就皮特的客串比较好笑...
女主爸爸出现，解释了女主为啥会虎背熊腰……
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