Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
1:导演对一场战争的认知想象如果只有戏说和个人英雄主义，未免有点没有人性。2:丹妞同志要不要反省下自己一张无害娃娃脸怎么老在他坞演反派啊。3:即使忽略前期的故弄玄虚和暗示，反派头子你的口音也藏不住了好吗>_^
一晚上竟然看了三部...怎么能把电影拍成晋江连续剧啊……（在寂静的图书馆读诗那段不错
这种wattpad改的电影看看男女主颜就好 剧情就算了哈哈哈而且这部几乎配角演员都换了 很容易不知道谁是谁
改编不是乱编，恶搞不是瞎搞，不尊重历史的人类又如何从历史中吸取教训？2022年我在一战背景反战片里看到为保皇派招魂的影片，开了大眼了
排除历史因素，这片子还可以，但把历史改的这么扯淡，就有点政治太不正确了
笑死怎么出了第三部，然后看到片尾to be continued 两眼一黑
[2021.12.31 @英皇葡京人激光IMAX] -，两段动作戏还行，文戏太拉。
全片属于是勉强及格的水准，节奏确实有些拖沓散乱，动作戏的风格也没有做到和前两部一样独树一帜【可以说是并无特色】
总有一个瞬间想起你. by the way, 女主越来越像克里斯汀斯图尔特
啊你倒是告诉我到底要讲啥呀，也不知道19岁少女是为啥一会成熟一会发疯。而且女主咋还开始的时候那么胖都没法上镜了。男主的演技好像还进步点，他演的伏地魔好像想起来啥样了。 四就不想看了。
作为爆米花片，还把一战一堆串起来还蛮有意思。不过如此历史虚无主义，把这个归结于一个黑手组织未免过于儿戏。前半集演了半天居然儿子duang的一下就死掉了，这个倒是很意外。
两位主演的颜值没得说。我以为这应该是现实的爱情吧！但也不确定，毕竟人的情感真的很复杂。单看第三季显然男主更爱女主一些，至少在为爱牺牲方面男主做得更多。男主应该是缺乏安全感的人，又或者说爱得太深就更怕失去。我从电影中学到的是：坦诚相待，真诚沟通，即使有矛盾也不要轻易说分手，但要给对方冷静的时间和空间。
1、主角颜值在线。 2、周末开游艇出游 估计是美式中产家庭中的富裕者才能做到吧。 3、毫无波澜的剧情，看到40分钟就疲倦了。
一把手枪，一个意外，一具尸体，一场派对，一堆荒诞，一屋死亡。
好不容易有个气质反派，不一会儿送走了；好不容易男主有点意思了，发现他不是男主...
救命啊，不是说trevor也去西雅图了吗怎么直接消失不见了TT这狗血的剧到底有完没完了竟然还有第四部(我等…
22_010。我真是吃饱了撑的才把这电影看完了还连看三部，第四部我肯定不看了管它。这部换的演员更多，男主角三部电影换了三个爹（演员）也太好笑了
中邪了我属于是
这故事走向看的真的是离离原上谱了，就这还to be continued😅
一战背景，脑洞挺大。跟前两部风格不太一样，不过也不错看。拉斯普金跳打人舞那段好看。
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