With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
炒冷饭，把动画片里的剧情搬到电影里，差评！！！
把动画片拼贴出来就是电影了？这个电影真是给孩子看的吗？
笑死电影要素过多，致命魔术的双胞胎戏法，走在时代前列的女性电影（女孩子不穿裙子不胆小而且热爱霸王龙），歌颂尊老爱幼的符合新时代特色社会主义的主旋律电影！以上都是我的胡编乱造过度解读！
感觉剧情特别单薄乏味………但是十三很可爱嘿嘿，这部的姐姐演的也好可爱
不错了，音乐加分。特别后面结尾那里，都是回忆。
电影非常一般但因为是和好朋友一起看的所以打五星 影院热的全身流汗 难忘的回忆啊
hhh好有年代感 电影院里的小朋友们都没见过座机 也没有听过邋遢大王的主题曲！看完记住了一句话！关爱今天的老人 就是关爱明天的自己！
不错，有那味，在cc的剧里能排前三。但13和Yaz的感情是真看不出来，我知道很多人磕。
儿歌合集凑时长？这不是低龄是低智。总之我儿子说不好看
图图一直没有长大，但是我们已经快到图图爸爸妈妈的年纪啦
有没可能恶魔通过控制人类迫使他们在特定的纬度建造通往地狱的桥梁，但是为什么要念数，总的来说氛围的渲染还是可以，但是总体剧情衔接不是很到位
唉，劝那些想去看霸王龙的小朋友，只有队名叫霸王龙，别的和霸王龙完全没关系
yaz喜欢doctor，我都不想说啥了好吧，本来剧情就这么差劲，你又把人设魔改，又整这一出，我吐了
这个结局真的贼烂…而且主角的操作着实令人智熄
。。。Yaz的告白被B站删了，但这质量我也完全不想再看一遍原版。。。
还有不好意思 主题曲难听绝了 听得我想逃出影厅 以至于后面第一季片头曲一出来 我以各种各样的理由跟唱泪目了
虽然大部分剧情都是直接拿来用的吧，但全都是满满的回忆噶。
比前两个元旦集好，但Yaz这个角色这几季算是被CC写毁了。下个特别集前瞻感觉妥妥要辱华了
新的剧场版又是戴里克的主场。时间循环的概念一开始想到开端，但存在逻辑问题。
本以为是奇幻限定，没想到是重阳节限定。
Copyright © 2015-2023 All Rights Reserved
