Filled with expectations, Etienne moves to Paris from Lyon to study film directing at the Sorbonne. He leaves behind his girlfriend Lucie, promising to call her regularly via Skype. On his course he meets Jean-Noël and Mathias, they too have come to the metropolis from smaller cities and share his passion for cinema. Together they discuss the cinematic canon, read texts by Flaubert and Pasolini, and listen to Bach and Mahler. Jean-Noël proves to be an agreeable friend who tries to strengthen Etienne’s fragile self-confidence; Mathias, on the other hand, often comes across as stern, aloof and mysterious. Fond of arguing, he has a habit of disappearing for weeks on end without the others knowing where he is. Nobody gets to see his student film, either. Etienne is particularly crestfallen when he discovers by chance that Mathias shares a secret with Annabelle, an idealistic young woman who lives in Etienne’s shared flat and with whom he is secretly in love. Jean Paul Civeyrac’s tenderly melancholic black-and-white study of these young people’s encounter with art and life is at the same time a declaration of love for classic cinema and the city of Paris.
勉强两星。基本上按《王牌特工》模式来的，高手带菜鸟套路，两演员远没有前者好笑。
还可以，小成本犯罪剧情片，剧情有起伏，没什么硬伤，滑倒那下太好笑了
1.女主有自身困境 2.女主陷入更大的外部困境 3.外部困境层层加码+反转 4.较量出结局 这个片子还是很讲规矩的 在这个设定和成本下 已经很好看了
这种剧情每次都除主角外全军覆没，能不能反套路一下，给我个惊喜？
Thriller is not an easy one. At least this movie caught my attention. It was just too good to white guys by offering them too many excuses, and too sticking to look politically correct.
暴风雪山庄式杀人事件，海洛因能害人，也能救人，这一点的辩证提升了作品本身及格线的水准。
最近就一直沉浸在艾尔登里没啥别的娱乐，这片儿吧 也就是三分水平了，后面那几个暴力镜头 还是挺猛的，有想法 完成度也可以 就没啥深度了
看完本电影只有两个感想：1、不要相信帅哥。2、会ke药是一种技能。（bushi
属于那种上了一周的班想要通过看电影放松，又紧张又不紧张，需要想又无脑的那种
“水能载舟，亦能覆舟”
钉子枪很带感，惊悚公路片亚洲女主比较少见，警察显得特别愚蠢
剧情悬念两次反转，暴风雪驿站困境就六个演员两个阵营也玩不出啥惊艳花样来，类似设定的佳作也太多。搞了一堆事，原来就是给脱离生活主干道走了岔路的亚裔女主洗白，求得家人接纳，这主旨开头一段开车逃走的镜头就交代明白了。整体太一般了。
故事短小精悍，多次反转也让观众倒吸一口凉气。在场的人没有一个不是罪人，是低配版的《八恶人》，但是每个人的形象依旧立体。只是觉得这个片名我不是很能理解……
中期悬疑挺不错有代入感，最后高潮释放没处理好显得主角光环太强大
女主手被钉住了，正好边上有一个锤子，你说巧不巧。最后女主叫小女孩去关灯，她再翘掉钉子也是离谱，正常情况那个人会一枪打死她再去抓住小女孩或者直接去抓住小女孩而不是光叫唤，设定不科学啊。
惊悚片三大俗：人死得差不多了，电话信号终于来了；警察救援终于赶到了，分不清状况被反派杀了；反派终于占得上风要得手了，非要呶呶不休被反杀了。
挺简单的情节，拍的能让人看下去，还可以，除了最后面的警察和女主的故意失败外其他挺好。
2022年第2部新片。
美国的政治正确真的很严重了，少数族裔挑大梁，白人不是恶魔就是蠢，哈哈，不过片子还行，可以看看
老套的剧情，老套的结局，老套的浅尝即止，老套的逻辑漏洞，和一点新式的offensive笑话
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