The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
整体剧情就是男主不断魂穿几个对手的身体，寻找自我记忆和身体的故事。前半段还挺刺激的，节奏也很紧凑。
有点像一部国外电影，创意还是不错的，值得三星
故事挺有吸引力的，前半小时还算抓得住，后面就明显降星了，最后来个英雄救美，浪费题材
一般，最后也没搞懂一群人是干嘛的。回忆中社长抓过女主，然而女主在教堂又不认识社长莫名其妙。
一个警察遇险，灵魂在诸多案件参与人身上附身，从而救出女伙伴，侦破案件。又臭又长。
剧场版在b站看的官摄看了一半，当时觉得舞台还是单调了些，不过似乎电影很好弥补了这方面的空缺。
题材真的很棒，但是男主真的是不太聪明的样子，他的职业与他的脑子和身手不太匹配。男主好友死的好惨，男主属于间接害死好友吧，愚忠不动脑的原因。女主演技还可以，但是让人很出戏，感觉很违和，尤其是一直理安xi，理安xi的，真的太违和了。
就和同期推出的dear evan hansen电影版对比，流畅很多。剧情和画面的插入以及歌曲的衔接更和谐。
看音乐剧现场时不觉惊艳，倒是拍成电影后几段MV让人惊喜。男主角虽然稚嫩但真是个漂亮男孩，音乐剧初版男主还客串了老变装皇后年轻时期。
灵魂附身玩出了新花样，这个车祸失忆有点独特
Everybody wants to be themselves.
It resonates with me so much. Feeling like this day and age's Billy Elliot. Message sent out over the fairytale-like story and cliché drama conflicts.
Surprisingly, it’s better than the staged version. It linked to the old days and made some sense out of his relationship with his father. So, well done.
四颗星全部给相哥，剧情说不过去，毒品能让灵魂出窍真的说不过去，不接受反驳
设定很不错，韩国片的动作场面现在已经成了定式了：西装+超快速剪辑+晃动镜头+写实感
一开始有些不知所云，而且严重脸盲症，后面对影片的叙事方式清楚了，才渐入佳境。
开头多角色叙述挺精彩 越到后面越能体会到苍白感 传统打斗复仇套路 6.5
一直附身来附身去的，被附身的几个人的主人格不会反抗吗？这个设定感觉有点站不住
剧情设定很棒，动作场面拍得也很用心，作为商业片算是不错了，就是女主角满地爬的次数太多了，有点烦。
Surprisingly, it’s better than the staged version. It linked to the old days and made some sense out of his relationship with his father. So, well done.
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