剧情介绍

  Daniel Mays (Line Of Duty, Rogue One: A Star Wars Story, Public Enemies) stars in BBC Two's powerful factual drama as Peter Wildeblood, a thoughtful and private gay journalist whose lover Eddie McNally (played by newcomer to television, Richard Gadd), under pressure from the authorities, turned Queen's evidence against him in one of the most explosive court cases of the 1950s - the infamous Montagu Trial.
  More than ten years before the decriminalisation of homosexual acts in 1967, Peter Wildeblood, and his friends Lord Montagu (Mark Edel-Hunt) and Michael Pitt-Rivers, were found guilty of homosexual offences and jailed.
  With his career in tatters and his private life painfully exposed, Wildeblood began his sentence a broken man, but he emerged from Wormwood Scrubs a year later determined to do all he could to change the way these draconian laws against homosexuality impacted on the lives of men like him.
  Daniel says: 「I'm incredibly proud to be part of a drama that tells such an important real-life story. Peter Wildeblood is a fascinating, complex, yet flawed character from a time when being a gay man in Britain was incredibly difficult - I can't wait to bring his tale to life for the BBC Two audience.」
  Patrick Holland, Channel Editor, BBC Two, said: 「50 years ago, it was a crime to be a gay man in the UK. Against The Law is a stunning piece that melds drama and documentary testimony to tell the story of one man, and his wider generation, as they struggled to make society accept their sexuality as non-criminal. It is brilliant to have a film that brings the authorship of Brian Fillis, the vision of director Fergus O'Brien, and the outstanding talent of Daniel Mays and cast to this important subject」
  The drama also features Mark Gatiss (Taboo, Sherlock) as Wildeblood's prison psychiatrist, Doctor Landers and Charlie Creed-Miles (Ripper Street, Peaky Blinders) as Superintendent Jones.
  Woven through this powerful drama is real-life testimony from a chorus of men who lived through those dark days, when homosexuals were routinely imprisoned or forced to undergo chemical aversion therapy in an attempt to cure them of their "condition". There is also testimony from a retired police officer whose job it was to enforce these laws, and a former psychiatric nurse who administered the so-called cures. All of these accounts serve to amplify the themes of the drama and help to immerse us in the reality of a dark chapter in our recent past, a past still within the reach of living memory.

评论:

  • 励忆柏 7小时前 :

    扎实的剧本,多重的反转,平稳的节奏,用绝佳的视听语言牵引出内心的感慨情绪,今年看的印度最佳,感觉有第二部?

  • 惠冬卉 6小时前 :

    首先,它有令人惊讶的反转,适当的带动情绪的BGM,引发观众思考的故事议题。

  • 姓楠楠 1小时前 :

    虽然法庭戏与最后反转再反转堪称完美,但狂打5星的豆友们肯定还有别的相同的原因。

  • 初雯 5小时前 :

    无论是在法庭上如何慷慨陈词,伸张程序正义,揭露种姓歧视,打到政治倾轧,最后都落在了暴力私刑。当然,最可笑的是群众、学生,乌合之众。

  • 抄昆杰 1小时前 :

    目前来说,今年最好的电影来自印度、有创造自由的国家值得尊重,能把问题摆上台面拍成电影推动的是整个社会的进步!最后不得不说,年轻人失去血性是最大的悲哀。这条路有尽头吗,我们都像这个世界的傀儡—歌词的绝望,希望也孕育而生…

  • 冰家 0小时前 :

    剧情是很不错的,后半部分的翻转,挺让人意外的。但印度式的全程bgm和慢动作,硬要表现出正义凛然的画面 实在太腻了。后面一直再快进,近3个小时的电影完全可以缩短到一个半小时。政治的黑暗,所有人都是棋子罢了,正义,几乎不存在

  • 冯和悦 4小时前 :

    目前来说,今年最好的电影来自印度、有创造自由的国家值得尊重,能把问题摆上台面拍成电影推动的是整个社会的进步!最后不得不说,年轻人失去血性是最大的悲哀。这条路有尽头吗,我们都像这个世界的傀儡—歌词的绝望,希望也孕育而生…

  • 卫元泓 4小时前 :

    印度文艺工作者的尺度和表达程度我们已经望尘莫及了。但这部电影本身我可真喜欢不起来。

  • 宫诗槐 2小时前 :

    虽然但是无解啊,结尾也没有说啥,就是希望之🔥可以燎原么?

  • 定康平 8小时前 :

    看了不到两个小时就决定了,满分,振聋发聩。

  • 婷锦 3小时前 :

    两集拼一集的特别版,圆头小妖怪挺可爱,妖怪附身田泽也还行。6

  • 平吉 4小时前 :

    良心面前,没有少数服从多数的法则。阿三也开始和棒子一样敢拍了,然而,那又怎样。

  • 斋笑雯 1小时前 :

    印度电影的走向是“史诗化”了吗?或者是法庭类型片?

  • 卫珉成 0小时前 :

    想革命必须经历流血,随着鲜血溅出,必有救赎。

  • 委听然 7小时前 :

    【B-】敢拍,会拍,但本质上还是套路化的印度犯罪庭审片。

  • 崇寄春 2小时前 :

    砍过树没有?我砍过。

  • 封安安 7小时前 :

    怎么说呢,能拍出来就非常不错,能展示这样的过程,能有勇于认错的警察,能够倾听真相的法官,已经胜过无数,期待我们也能

  • 业孤阳 2小时前 :

    不喜欢印度电影的节奏和摄影手法 但是意义是ch无法企及的 起码ch现在已经没有奔赴前线揭露真相的媒体了 我们从不缺乏“每一份光” 但是我们缺乏发光发热的地方

  • 戚寒梅 0小时前 :

    情节发展的很慢,庭审部分很精彩,反转了,又反转了。。btw,豆瓣的剧情简介,是为了不要惹到某些机构吧,哈哈

  • 吴善静 7小时前 :

    8.5/10.0,电影的毛病还是有的,比如过硬的情节转折,角色的过于脸谱化,过多纷繁复杂的角色,根本没法一一讲好。

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