With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
开始不抱期待，其实还行，熊换成人类就是一部成人看的普通3D科幻片了，感觉剧情都大差不差。
本片不止是《熊出没》还是《猫出没》
娃儿还是挺喜欢这个IP的，系列电影都看了。
这是抄了多少，黑豹、七龙珠、海贼王、哥斯拉，真服了
前半段有点儿大杂烩，要不是熊孩子太多我还能多睡会儿…后半段，熊大遇险，熊二崩溃，熊大在熊二的哭声中醒过来开始真情流露，画面开始闪回，一幕幕浮现——然后处女座摘下3D眼镜开始抹眼泪！看个无脑电影居然把孩子看emo了
从此以后熊出没从我的春节电影list中移除
一言难尽的容梗片，但架不住全场小朋友开开心心。
概念相较于之前不那么新奇，不过电影后期的画面真的是每一分钟都在烧钱
第一次看春节档的熊出没 完全颠覆了我看电视版熊出没的印象 剧场版制作上已经是合格的商业片水平了 剧情上比漫威英雄片好看一点 笑点很足不低级 就是憨憨的那种让人发笑 “机器猫”也超酷的 造型我好爱 场景建模不俗气很漂亮 最后熊大安慰熊二那里还把我看哭了 虽然有些套路的工具人角色和剧情 但一点也不影响观感 去年春节档把各个类型的都看了个遍 今年只有动画片可以看了
不好看，情节不连贯，主线人物存在感极低。不如原始时代和狂野大陆
光头强美颜了越来越嫩！小家伙点单来看老牌国产动画巨制。熊出没一直走环境保护路线，再结合亲情、友情，大电影能这么科幻，构思新潮，特效一流，老少皆宜，整体不错，值得一看！反派小姐姐美到不行哟！
10点半的4D动感影厅，孩子很喜欢。希望熊出没越来越好。
情感4星吧。挺燃的，熊二的个人英雄记录片，不过讲故事稍有欠缺，想象力也匮乏，不是上天就是入地，和速激一样日渐离谱，或许从微观角度入手又会有新的结果。总觉得不是那么自然，不够顺畅。特效很棒，场景构建也很完整，反派的故事太短了，不过，电影里好像也没有绝对的反派。
剧情老套 在电影院看这种真的好吵 给我看emo了
熊大和熊二真的永远真诚可爱，但是故事情节很多都没有完善，逻辑也是很缺失的，但是还是有我的私心，四星
完成度不错，完爆那些网大和流量大片，值得带小朋友一起看
#观影笔记——《熊出没·重返地球》# 熊出没真的是国产动画电影最靠谱的贺岁档，这么多年来的成片一直还不错。
陪娃看的，挺好笑，也有一些感动的地方。熊出没的电影毕竟是大IP出品，质量还是有一定保证的。
转自影院一个小朋友说的：熊出没做的越来越科技化了。科技化意味着缺少了之前的搞笑与纯朴。另外结尾看起来像奥特曼打小怪兽...
很好呀，小朋友们很喜欢，哥哥看了都感动得哭了
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