This is a budget action film. Some people seem to think that low budget means that bad acting and worse action scenes are excusable. Anyone whose seen a really good budget movie will know that there's really no excuse. All directors have to start somewhere of course, but this director wont be going anywhere, in my opinion. The acting in this film is truly awful. There's not much I can say to redeem it. The mood of the film flicks between over-serious and Benny hill trash comedy (an apparent attempt to reproduce the comedy style of some Japanese action films, which doesn't work). The car chase being a good example; what the hell is with the stupid music and unfunny attempts at comedy when the rest of the film is trying to be serious?!. It makes no sense and gives the feeling that the director was either high, a clueless student, or both. There are some hot babes in the film but nowhere near hot enough to make the bad acting bearable. Bas is a hero to any fighting fan but I'm afraid to say his appearance is so short I can't even recommend the film to his die-hard fans. A previous reviewer forgave this film's misgivings giving it 8 stars, and I can understand that there are times when budget movie-trash is sometimes a good laugh, but there are so many much better budget films than this that I can't find it in my heart to recommend it to anyone other than the directors mum.
本片的90年代家庭/校园画风的还原度不亚于徐峥在鸭先知里对80年代的设计成果。 嘉木@亮马桥星典
演员不错，可惜导演实在没有驾驭好，故事都没讲明白
翻拍日本的《孤狼之血》，讲真，日版更黑暗更压抑，同时也更有张力，画面比本片也好太多。同样的本子，本片拍得太平庸了。
又想到了最近翻出的老笑话“新警察的故事”，你是新警察吧…
终于知道了上尉治好了没有和他们是从哪儿来的。
黑吃黑 以暴制暴 宇植西装秀 前面拉近景特写有点不适应 节奏很快 都在意料之中 宇植X大叔莫名的cp感 师徒真的磕
5个罐头小人：博士、上尉、艺术家、歌唱家、外交官。
不够喜剧。做最精彩的自己，谁不想呢，那还上班吗？
这是郑渊洁作品首部改编电影。
我的小外甥说很好，我只能说好，私底下再说一句马马虎虎
为了崔宇植看的，情节真的一般般，男主心态的转变真的好突然………
虽然还是财团之类的黑手，但这个节奏感觉很不韩国。
根据日本小说改编，日本也有电影《孤狼之血》，这部韩版感觉就差了很多，故事平铺直叙，两个主角也没有啥表现力，只能说打发时间看看，5.5分。
感觉小演员想表现人物的成长，但是感觉这个变化成长太慢了，而最后一下就变化了显得有点突兀。
断断续续看了一点，很失望：1、皮皮鲁的孩子表演真是很僵化；2、老师什么的都太脸谱化了；3、考试作弊那个设计真是很傻；4、救火时候用衣服挂在绳索上拽着滑下来的设计难道不危险吗？不怕孩子效仿？
开始有点像训练日，菜鸟警察跟灰色警察，这个系长角色的意义不大，只放了一点点烟雾弹。最后还以为有啥反转，就这啊……
在郑渊洁超过四十年的创作生涯里，他塑造了几个陪伴几代人成长的著名角色——
现实中的做法是剪掉枝叶，断其养分，划清界限，而树么，从外面看当然仍是参天蔽日。
鲁西西还罢考，我反正是从小到大不敢的
这波属实拿捏到位了 哈哈哈哈哈哈
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