这是Richard Lester最好的一个片。
An absurdist classic
This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth?, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example: "And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge?' - and the mummy bear said, 'that's no porridge, that was my wife' ". Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to "keep moving!". Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.
我也不知道为什么要看，但这玩意给我看哭了！
一阵叹息，介于超英大片与中小成本间的中等体量特效片除了动画，好像走进了一个死胡同。不肯拓展花心思，死死遵循类型公式，却又不得不加进科幻元素，利用技术的便捷掩盖创意的枯竭。亲情、冒险、打斗、复古，多么轻松却随意地糅合，为产业敷衍交个作业。演员们也无奈吧，接不到好本子，只能延续已经诠释过多遍的形象，因为不用去学习啊。钱也仍然赚得到，虽然不如以前多，有得拍总比没得拍好。
小鸡萌队，家园被毁，被迫走到了大城市，遇到了新朋友，当然也有坏人。最后回到了自己家。
整体是有趣好看的，文戏有点拖沓，主创在做一部商业爽片和加入普世思考的科幻片中有些摇摆，其实观众根本不会在乎这些很难自圆其说的时间设计，好看就可以了。
#Record#
就是剧情无趣，几个动物的造型可以说是平庸还有些惊悚。反正后面的还在十几分后就开始跳来跳去的蹦跶了
成年亚当安慰母亲那段看哭了。父亲走后，大家都顾着安慰12岁的亚当，谁记得母亲失去了她唯一的依靠呢？其实这片核心是亲情，如果当做科幻片看就会觉得bug到处是。我个人挺喜欢二次穿越的设计的，只是导演玩脱了，节奏和剧本应该多打磨的。
仔仔的第一部电影！故事很简单，但他看的还蛮津津有味的，看到大猫居然还会大喊怕，躲到了怀了。
詹妮弗加纳!!!!!!我的女神!!!!!!
看到一半的时候觉得很无聊，剧情没什么新意，但是还是看完了。看到最后有点出乎我的意料，尤其父子三人玩棒球那段，我真的感动了。这就是爆米花电影，有笑有泪，肖恩·利维真的很会拍这种电影，但并不是每部都像《失控玩家》那样精彩
浪费了一批好演员，这个本子是怎么通过市场评估的，这种放在70年代都略显保守，毫无出彩的剧本，居然还可以拍出来。经历了回到未来、终结者、黑洞频率和复仇者联盟4等一些列各种各样的穿越电影后，居然还有这么简单的文本，这么简单直给的穿越时空。别浪费时间了！
光剑、枪战、飞船、飞车、穿越，可以说是美帝宅男少年的游戏了，整体比较平庸俗套，不过结尾还是挺加分的，有1点点感动
中规中矩的一部爆米花商业片而已。作为穿越类型的科幻片，场面不算大。而且反派死于话多的这种老套路太俗。都2050年了，跟反派的猛男决斗还是靠拳头👊，完全烂大街了，了无新意！
死侍给绿巨人当儿子啦 别说仨人最后投球那点还挺感人是怎么回事
ryan的笑话就是典型的反套路的套路，然后变成一种套路。拯救世界的主题没什么意思，反而是有关亲情的时间旅行比较有趣，娱乐性十足的下饭电影。
no more time travel 有人说是AI自动生成的剧本，太精准了！
好家伙，给我跑神跑得，都没看它这个自己杀了自己的悖论怎么解决的。佐伊索尔达女士已经是科幻电影御用女演员了吗。那个棍儿倒是很帅啊
还算好看的爆米花电影，这是炸了漫威的窝了吧
今年看过最好的动画电影，没有之一。美加妈妈在车下护住小萌鸡的那一刻真的很感动。
小朋友太可爱啦！虽然还是有很多Ryan Reynolds近年来片子的刻板特质，但如果内核讲怎么学会爱自己爱身边的人，还是有些特别的。以及我真的感谢最后“好人”都好好活着了。
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