Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
有种正剧的简略版，节奏更快所以没法让人有共情感。把原剧的梗搬到这里来反而有点尬，没有那种新鲜感吧，一味倡导女权也有点不是那个味道。
结尾拍出了在末法时代里，魔鬼会披上宗教的名义控制人类，称之为敌基督。魔鬼占领权力机构，上帝选择拯救平凡人也很符合圣经中心思想。
剧情基本上算是电视剧的翻拍，有笑点但却是划水拖时长。
虽然三俗，但是快乐啊，全程姨母笑，小汤圆可可爱爱，大马猴咸鱼翻身
山中无老虎，猴子称大王。靠一段段段子撑起来的喜剧，没多少价值，但倒也可以看一看。
故事完整，全片包括爱奇艺都在为吉吉国王搞事，好看
今天的你有点帅
但剧情进行的乏善可陈，且皆是“吓一跳”，恐怖感营造缺乏，后面直接变成丧尸片，可惜。
看完很轻松，全是梗，泼皮猴永远帅不过三秒。
6.7分，鬼闹得比较凶的恐怖片一般不会太差，但有时候闹得过于凶了就显得比较鬼畜，感觉像是在看喜剧片。这片驱魔的夸张程度堪比韩国的《变身》了，好在比《变身》有深度些，但剧情没有《变身》流畅。弄不明白为啥最近的驱魔片如《灵媒》驱魔驱到最后都跟丧尸一样，难道说丧尸其实是魔鬼上身的一种形式？
赘婿番外，还不错吧；买几个橘子的梗哈哈哈朱自清的《背影》；又吃女性独立话题…没啥新意，迎合市场？
算是剧版的番外？赘婿IP还是顶的，爽剧爽就完事儿了（吉吉国王真的长在我笑点上了哈哈哈哈哈哈）
这么爽的职场线值得 一个五星，男主真的是全方位的男主，没有挫折，男主直接爽翻了。
拉美驱魔片，既有致敬和传统套路，又充斥着冷幽默和反套路，最有意思的段落就是恶魔联合起来“驱圣”。
唯一可取的是还能原班人马演绎新故事，至于其它，还是那个配方、那个味道！
作为番外，沾了IP的便宜，但是作为网大，在水平线之上。
怎么能把驱魔片拍的无聊，那就是这样了。逻辑真的难理解，而且驱魔过程跟freestyle的battle一样。
【2021 惊悚 狮门 美国】[视]微血，露点。维尔是男主，女配严重扮丑。从反同性恋到反宗教，室内场景为主，教堂学校宿舍，第三世界监狱
下饭电影 有吉吉国王在的地方 怎能不搞笑 如果大聪明在就好了 开始期待赘婿第二部了
吉吉国王和乌启豪的洗白之作。“你大哥高能，一心想当个什么狱卒，更是指望不上。”突然感觉有被冒犯到😂
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