The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
又一部细腻、丰满、深沉、张力十足的西部片。前面压节奏徐徐展开,各种细节铺垫、营造出内敛而愈趋紧张的氛围,几乎没有配乐却难掩紧张不安、蓄满了“山雨欲来风满楼”之势。最后对决干净利落,怜子之情自然流露,揭示老亨利的真实身份的同时给片子增添了些许温情与悲壮色彩。近期难得的佳片。
西部风格,悠远辽阔。大爷虽离江湖已远,但大爷还是那个大爷。
硬核老派西部片,有血有肉,不宣扬,不做作。7.5+,多半分,敬情怀。
还可以,比利小子被放走的设定真是让西部片爱好者眼睛发亮
本来就活在每一个男人的世界里。
故事简单,纯正西部味。乒乒乓乓一阵射…全片很爷们,没见一个娘们!
传说中的比利小子变成了老比利,见识过大风大浪的人处变不惊,大杀四方,却终究暗箭难防
他叫威廉·H·邦尼,也叫亨利.麦卡蒂,但他最广为人知的名字是billy the kid
瘦弱佝偻,面部扭曲,脸色苍白,但拿枪的手永远不会抖动。这大概是现实中gunslinger的样子吧。
四星,平静的杀人,平静的死,像极了多数人的一生。
美国西部老牛仔救了一条狼成了“东郭”先生,却没有“东郭先生”的命好,故事老套啦。且最后的牛仔枪战细节上立不住啊!
这就是西部。
长枪,旷野,牛仔帽,骑马,血浆,苍凉的音乐,西部片元素齐全。法外狂徒所有的柔情都给了儿子。The world is changing.You go see It’s a place I don’t belong in no more.I’m hoping …..you do.结尾儿子怀亚特向着远处离开的背影好苍凉啊。
非常值得一看~
it's a place I don't belong no more
影片中出现的通缉令上的照片也是史上流传下来据说是Billy the Kid的唯一照片。
看个热闹,开始的铺垫太长了,最后也是不考虑逻辑了
悠长的音乐,广阔的外景,舒缓的节奏,传统的西部片。
曾是传奇的父亲给我上了一堂西部课,告诉我要出去看看,牛仔的时代结束了。
放下戒心给陌生人松绑,在敌人尸体前丢下自己的枪,他已经不是比利小子了……在他有了妻儿牵绊之后,就已经不是那个无所畏惧的独行侠了,倒在农舍里的,只是一个会用枪的农夫,英雄迟暮,夕阳落山,并不复杂的剧情让人唏嘘,没有花瓶美女的西部片着实硬朗
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