本片 荣获第四届深圳青年影像节纪录片类 最佳创意奖 ，香港中文大学、 第二届中国民族博物馆 永久收藏奖 。
有意想观看的，可联系版权方微信：1714371600
《加一》颠覆大众对留守儿童的固定思维，以独特的视角呈现最真实的留守儿童生活。
加一是一名留守儿童，父母常年在外打工，每次短暂的相聚都会牵动加一幼小 的心灵：长途 跋涉和爷爷去看望在外打工的父母，离别时躺在爸爸腿上静静落泪；春节过后妈妈提前出去打工，没有说再见是因为偷偷躲在被 窝里泣不成声。然而父母离开后生活依然要继续，忍受过难尝的别离滋味后，依然要忘掉烦恼，快乐地和同学玩耍，淘气地逗哭弟弟后又像大人一样哄着他。每天和弟弟徘徊在哭与笑之间，就这样在痛与乐中成长着。
留守儿童并不是“苦逼”的代名词，他们有他们的快乐，有他们的纯真，他们也确实要忍受不一样的孤独和无奈。大时代下的小人物，他们的生存状态是这个时代的特殊印迹。
The documentary, “JIAYI”, adopts a particular position from where it objectively and non-discriminatingly uncovers a real world of these left-behind kids in rural area in China, which overthrows the social stereotyping towards this special group existing in the remote and underdeveloped regions.
JiaYi, one of these unattended children, cherished every single reunion with her parents who work as migrant labors: she would travel thousands of miles with her grandfather to visit them; lying on her father’s leg and crying silently is her way of resisting saying goodbye; Tears flooded her eyes so violently that she didn't says any words when her mother had to leave earlier than planned to start working during the spring festival. However, life goes on no matter they are ready or not. She struggles to survive in the suffering of separation while at the mean time, she must learn to forget this painfulness and pretend to live like a normal kid who enjoys her time in school with peers. She, like a mature adult, can make her younger brother cry and then burst into laughs. Their life is filled with tears and laughter as they grow up happily and toughly.
“Sadness” is not supposed to be the first image of these unattended children. Even though they have to withstand the loneliness and desperation that are not normally experienced by their peers, they still have their share of happiness and innocence. They contribute to maybe a minor section of this era but their very existence still leaves marks on this thriving generation filled with variations.
剧情一整个莫名其妙+魔幻现实主义，看得我满头问号，小男主愣头青太气人，继子快银可以有，伏地魔打的比阿汤哥还辛苦一点也不优雅…虽然芭蕾舞打斗挺好看的，彩蛋挺脱线的，但是跟kingsman有啥关系？全场就记住了个武（划掉）舞僧，二战可千万别拍了
西方人此生最大的痛苦是自己的爱情和父母的爱情（原生家庭），而俺们中国人此生的痛苦都是上辈子造的孽。痛苦明确，所以西方人比较容易快乐，上辈子不知在哪，所以中国人一半不知快乐为何物，另一半不知快乐为何物，却以为自己知道。
这种片也能归类为恐怖？不就是一般的剧情片吗？
男主为什么那么敏感小气…男主乱发脾气后女主又开始找别人 两个人半斤八两……fine 吐糟完继续等4😅
竟然看到了第三部，可能是封面吸引了我吧（bushi
相对于它的难看程度而言，它的时长过分了。。。还不如我昨天看的裁缝铺杀人小故事好看
OMG 竟然还有续集 这部感觉比2好一点点吧 但真的还是太狗血啦 多一星给男女主的颜值叭
一晚上竟然看了三部...怎么能把电影拍成晋江连续剧啊……（在寂静的图书馆读诗那段不错
拍不出来，就别硬拍了吧。
所有的铺垫都为了那一刻全魔乱舞！死亡盛宴！
男女主颜值怼脸素颜都抗打，然而剧情这。。。也太脑残了吧，果然是《小时代》的感觉。。。然后有点像高级纯情黄片
哈里斯牺牲那段算是全片唯一一个不错的点子，一个错误看待战争的年轻人因为自己的幼稚行径，死在了完成任务后，战壕中，战友手里，是对战争意义的彻底解构。但执行也很差，被一些莫名其妙的打戏打断了情绪。
“我爱你”
抛出鬼扯历史，动作还是精彩的，感情还是到位的。
第三部男主似乎到了弱智的地步，和第一部俩人的人设完全反了
messed up in so so many ways
狗血 我纯粹为了看脸 后来就边玩手机边看了
“不要说‘也’，因为那好像表示我同意你”
就……反正……emmmm……我多看两遍暮光之城不好么
行云流水的商业大片。情节跌宕起伏，打低分的原因可能是里面的政治抹黑导师，确实有点过分。那是资本主义敌人的立场问题，但是就电影的技术含量来说，导演编剧的功力不错。算是合格的爆米花！
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