Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
自然主义，虽然很多伏笔没有很好展开吧，还是很不错的
没想到是讲母爱的，女孩子长得是不是有些像《凯尔经的秘密》里面那个精灵？
永恒的母爱话题 谈论母爱的动画不仅仅是治愈 更多的是感动
没想到是讲母爱的，女孩子长得是不是有些像《凯尔经的秘密》里面那个精灵？
巨魔妈妈也有温柔的一面
喜欢Hilda! 里面的每个女孩子都好勇敢好自由！
虽然前面的脸谱化和刻板印象和故作姿态和某些奇怪的理由设定给我看饱了，但后面山怪进村感受母爱还是给我整泪目了。只有大魔王受伤的世界达成了。
没看过剧集接受起来有点困难，误解开始的战争，因为英雄的牺牲而结束。
不喜欢这种讲故事的方式。觉得不如TV版剧集有意思。
跟正剧比有点小下滑，但还是换的了一个惬意的下午
人与自然和谐相处,建立沟通是解决矛盾的首要条件. 这翻译名字, 勾起了以前玩WOW的回忆, 泰达希尔和 山丘之王??? 铁炉堡,莫若瑞根? 哈哈哈~ 地球那么大, 城市迁移一下嘛, 就可以再次起床啦.
母亲是软肋 希尔达要继续这样长大 充满爱与被爱 还有第三季耶耶耶
给这段时间高阈值的我带来了一丝丝勇气，Hilda总是在任何时候都能想到解决办法并顺利化险为夷的勇敢小妹儿！
建议没有看过剧集的，不要看了，浪费时间。
不知道是不是因为太久没看，感觉节奏有点拖沓，但还是，呜呜呜呜呜呜呜呜
很少在欧美主流影视里看到这么歌颂母爱的内容哇，好惊艳，还突然发现hilda的配音竟是我熊岛小女王！好治愈我哭了呜呜呜
没看过剧，不过剧情不复杂，设定有点像进击的巨人，结局还是鸡汤味儿。
否则将严重影响观感
不管怎样希尔达总是能给我带来安慰，她的世界就是我的cozy corner
剧情有缺憾（可能是我看不够！）。以后看到石头我可能会自动想成troll！love&peace！
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