Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
感情线如果能再“虐”点就好了，男女主一直朋友相待最后搞个意难平什么的，也能弥补感情戏的空虚
如果没有遇到韩松老师，僧格将来可能呆在草原上放牧，但是在韩松老师的教导下，僧格当上了消防员。这就是教师的意义吧
非常具有深意的一部电影，值得刷多次，每次看完都会有不同的感受
啊，怎么说呢，感觉这部电影比上不足比下有余，中规中矩的一部文艺片
女主哥哥死那里，真的看哭我了虽然有预料到，但是看到这样的剧情，真的还是很难过
值得看的一部影片，也曾想过去西藏支教。。。
一部非常有温度的电影！
现在的教育，诶，一言难尽，跟影片支教老师没得比，之前在学校，老师都不管学生，爱读就读，不读老师也不管，很不负责任，甚至经常说有事不来上课，所以能遇见影片这样的老师真的很幸运
僧格为了救人献出了自己宝贵的生命，这种舍己为人的美好品质值得我们每个人敬佩。
藏区真的是天然的取景地啊，很多风景真的是太适合做桌面了，我截了好多图换着用哈哈
韩老师很善良，他从来没有真正嫌弃过藏区的孩子，只不过我真的不喜欢他朋友的出现
有没有未删减版本的？可以放出来让观众看一下，感觉很多地方衔接的都不是很好，但总体剧情我是真的挺喜欢的
男主妈妈开明的让人心疼，在生命的弥留之际，还不忘记告诉自己的儿子，要追寻自己心中所向往的地方。
孩子们这么渴望知识喜欢老师，是我从小到大都不敢这么相信的。景色是真美
藏区真的是天然的取景地啊，很多风景真的是太适合做桌面了，我截了好多图换着用哈哈
写实偏记录的风格让观众一下子走进了他们的生活，藏区天然的物质匮乏以及自然风貌让我们感同身受，也明白人和大自然的和谐共处很重要，历史进程赋予了一代代人生命的意义，努力的意义！
男主演技不错，哭戏也比较自然，还有女主，一举一动真的像藏族少女，完全不做作，剧情一般
老师太难了，一方面是需要帮助的孩子们，一方面又是母亲病危，真的很佩服他。
条件太艰苦了，所以知识真的很重要，理解了大人们那么努力的想要孩子们能学到知识。
后半部分稍感仓促，2小时的片长放入这一段人生，或许怎么样都会觉得不够。
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