Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
剧情比较俗套，就是救闺女，但也算是近期看的最爽的枪战类动作片了，特别是布拉格那场市内轻轨枪战戏，各种大型杀伤性武器轮番上阵，是真的爽，太适合影院观看了，小屏幕看还是差点意思。就算是罗素兄弟，也没能再拍出美队2那么精彩的打斗，真的可惜。而且血腥度不够，这点有点不够爽。高司令是真的帅，美队这小胡子一留就真的很变态。
花这么多钱拍这么个几十年前就拍烂了的套路？
缺失的父爱，都给了赋予其新生的“父亲”和“女儿”。
两星一星给高司令，就是很爱他的颜和气质，另一星给安娜超美
别要求什么新意，也别谈任何深度，这多热的天气啊你说是不是，不就看个电影嘛？空调一开冷饮一摆，起看！
制作费都花在哪儿了？飞来飞去欧洲各地搞破坏吗？
无脑爽片，又科普了世界上许多地名，包括半个欧洲。当然最出彩的是动作戏！与家人免费观看得津津有味。结局很开放，期待续集。另外克里斯·埃文斯饰演得很欠儿！
队，勉强也算得上无脑娱乐的消暑之作了。2.5星。。。
【1.5】随便写个公式化故事，然后呈现一场接一场的打斗，我并不反感这种创作思路，但问题是调度和剪辑水平那么愣，穿梭机用得也保守，实在不精彩，对比之下迈克尔·贝那部都有意思得多。唯一看点只能说是高司令，看他枪战搏斗确实更有味儿一点，然而也有NWR电影珠玉在前，赚够了能不能再合作一次？
两星送给颜值。也给观众看到去掉超英滤镜的罗素兄弟，包括之前的钢铁侠、蜘蛛侠这些演员，去掉滤镜之后都。。。。BC是少数的两条腿都走的演员了，不管奇异博士怎么差，人家还有艺术电影这条路。
where is everyone's charisma?
看得好无聊，一打开进度条还有一小时…RG和CE的肉体加起来也不够挽回.
老掉牙的故事情节了 芭比怎么也得比这好看吧
咱就是说，如果实在没东西拍可以不拍，这样拍出来真的很像洗钱。
罗素兄弟真是大大满足了2049前世情侣粉丝的一切需求，时弯时直。上一次看高司令还是第一人了，已经不记得他有这么壮的时候了。Ana的动作戏惊艳程度不如007，但戏份很足。不知道是不是用了很多替身。美队那种特别痞的演技继续延续。这三个人的屏幕时间让我忽略了它很多的网大缺点。配乐挺棒的，结尾的第一版演员表动画也是像漫威一样投了钱做的很认真。预告里出现那段城市里轻轨追车戏的前戏真是好看到没想到，速激的光环基本拉满。总结：纯粉丝花痴爽片。
低配版美隊2、美隊3，仿製品版傑森包恩，都是臥底特務逃亡，人物建構不如美隊2，情節也不夠政治驚悚，甚至顯的有些過於兒戲，敘事顯然也有些力不從心，無人機拍攝鏡頭年初的麥靠北用的更好，羅素兄弟來拍顯然很突兀。安娜和高斯令再組CP看的很開心，美隊徹底從美國翹臀變成美國混蛋，角色夠壞夠痞夠變態，隊長每次演混蛋的時候安娜都在場，下一次合作隊長是不是也演混蛋？動作場面維持一貫羅素兄弟水準，不能說喜歡這部，但是看明星看的很開心，潔西卡亨維克、雷傑尚佩吉、美隊2&3出現過的配角人物，羅素兄弟班底出品，成績勉強及格，但離開漫威後的羅素兄弟光環不再，現在充其量只是普通的商業片搭檔導演，如果連敘事都把持不定的話，對於羅素兄弟未來出品的非漫威電影抱持擔憂，整體2.5，加0.5給大明星，高斯令和安娜再組CP很可以。
整体上平淡无奇，中规中矩，没有特别出彩的操作，作为大成本的商业片，看看各种腺上激素飙升的动作大场面也就可以了。
2个亿的投资就这？剧情也太单薄了，前面不知道看了个啥，全片只要知道美国队长想杀了高司令，就可以随时点开进度条欣赏两个人打来打去。
啊，这种一切似曾相识的缝合感……最后一场打斗罗伊德小刀换手，不就是美队2里冬兵大战史蒂夫的招数吗？
像是看了部陈思诚电影，满满商人气息的自我迷恋与自以为是。表达不清，节奏拖沓，每个角色都缺乏特点，彼此擦不出任何火花。估计只有罗素兄弟自己看得津津有味吧。
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