John Kent (Randolph Scott), a former star football player at Harvard, goes to Paris with his friend Huck Haines (Fred Astaire) and the latter's dance band, the Wabash Indianians. Alexander Voyda (Luis Alberni) has booked the band, but refuses to let them play when he finds the musicians are not the Indians he expected, but merely from Indiana (Huck Haines and his Indianians Band).
John turns to the only person he knows in Paris for help, his Aunt Minnie (Helen Westley), who owns the fashionable "Roberta" gown shop. While there, he meets her chief assistant (and secretly the head designer), Stephanie (Irene Dunne). John is quickly smitten with her.
Meanwhile, Huck unexpectedly stumbles upon someone he knows very well. "Countess Scharwenka", a temperamental customer at Roberta's, turns out to be his hometown sweetheart Lizzie Gatz (Ginger Rogers). She gets Huck's band an engagement at the nightclub where she is a featured entertainer.
Two things trouble John. One is Ladislaw (Victor Varconi), the handsome Russian deposed prince and doorman who seems too interested in Stephanie. The other is the memory of Sophie (Claire Dodd), the snobbish, conceited girlfriend he left behind after a quarrel over his lack of sophistication and polish.
When Aunt Minnie dies unexpectedly without leaving a will, John inherits the shop. Knowing nothing about women's fashion and that his aunt intended for Stephanie to inherit the business, he persuades Stephanie to remain as his partner. Correspondents flock to hear what a football player has to say about feminine fashions. Huck gives the answers, making a lot of weird statements about the innovations John is planning to introduce.
Sophie arrives in Paris, attracted by John's good fortune. She enters the shop, looking for a dress, but is dissatisfied with everything Stephanie shows her. Huck persuades her to choose a gown that John had ordered discarded as too vulgar. When John sees her in it, they quarrel for the final time.
John reproaches Stephanie for selling Sophie the gown. Terribly hurt, Stephanie quits the shop. With Roberta's putting on a fashion show in a week, Huck takes over the design work, with predictably bad results. When Stephanie sees his awful creations, she is persuaded to return to save Roberta's reputation.
The show is a triumph, helped by the entertaining of Huck, Countess Scharwenka, and the band. (A pre-stardom Lucille Ball, with platinum blond hair, appears uncredited in her first RKO film[4] as a model wearing an elaborate feather cape, after the vocal by Dunne, in the fashion show.[5]) The closing sensation is a gown modeled by Stephanie herself. At the show, John overhears that she and Ladislaw are leaving Paris and mistakenly assumes that they have married. Later, he congratulates her for becoming a princess. When she informs him that Ladislaw is merely her cousin and that the title has been hers since birth, the lovers are reunited. Huck and Lizzie, who decide to get married, do a final tap dance sequel.
阿爾帕西諾和傑瑞米🤤🤤🤤🤤🤤🤤🤤🤤🤤🤤🤤🤤🤤🤤🤤🤤我昏古七
一手好牌打的稀烂，单纯拍个纪录片也比这精彩
司机卖掉股份离开那段和被杀那段挺好的，其他……
[3.5/5.0] Jared Leto 演的 Paolo Gucci 超好笑，例如「這個人本人真的有這麼低能嗎ＸＤ」Jack Huston 帥（律師升級ＣＥＯ）。
片长上了150分钟就显得节奏很有问题了，drama不起来就一个劲得想等着下一步该怎么反转，导致后半段司机性转都看得有些生硬…
B-. 两个半小时不觉冗长也不乏娱乐，但看时还是忍不住想，如果由老马丁导演会是怎样？对于这样一个戏剧性极强，容量极大，且亟需风格化处理粘合的故事，老雷的处理方式还是过于“沉稳”而严肃了。人物弧光的碎片化和节奏把控的同质化，导致精彩的永远是单场戏，而非电影的整体。卡司在有限的空间里发挥到了最好（除了Jared Leto，他值得一座金酸梅），Gaga的表现较前作有显著的进步，某种意义上，她确实是古驰之家的女主人。2021.11.24 Pathé Beaugrenelle
很失望。如果一部电影让我全程如坐针毡，那必定是出现了一些比较严重的问题……(@Regal)
哈哈哈哈以为富贵宅男很好捞结果自己爱到不行的Lady Gaga实在出乎我意料。男人的变心模版戏，坏事都是太太指挥做的，自己没本事只擅长逃跑，人到中晚年终于变成自己爹的样子也只信自己爹留下的遗言，翻脸不认人和废物点心教科书了。
电影难看是在预期之内的，但没想到一部时装片，这部电影并不带货，每一个单品你都不想拥有。#隔壁的Spencer拍成那个鬼样子，还可以欣赏香奶奶，都已经那么烂了，最后的tom ford环节就不能多拍拍吗？
想看豪门恩怨、宫斗戏、时尚剧的人都要失望，这只不过是一个关于“特权”如何虚幻又实在地腐坏人类美好事物的故事。Lady Gaga的表演意外地表现出了女主身处所谓“豪门”时的突兀、尴尬、不和谐，是全片最有戏的部分。
感觉节奏慢了点，剧情故事本身还挺有趣的。突然get到了司机的迷之性感？少爷演的Paolo真的太过于好笑了，这个装扮属于就算你知道是他但仔细看也很难看出是本人的程度。为什么都对床戏好评啊，只有我看着觉得好假吗哈哈哈哈哈？嘎嘎确实很努力了。
男主的一下子的转变没有任何铺垫，前后太割裂了，像是两部电影
Gaga演的这么用力又这么浮夸，这就已经是可以各种提名的演技吗？为小李子不值…
三星
如此抓马又时尚的故事拍得如此沉闷过时，太失望了。甚至于我这么容易种草的人，都没有去买一个Gucci单品的冲动。
雷德利斯科特今年都85岁了，怎么计划里还有那么多项目，得累死他老人家啊。
剧本没什么出彩的地方，全程都很平，大宅门应该出现的drama一分都没看到。嘎子提名还是稳的，男配可以公关阿帕或者莱托，司机估计是提不上了，雷导连一场吵架戏/爆发戏都没给他，就很gg
Gucci家族的兴衰本是一场大戏，而简化为一个女人的戏，女性视角大概也是导演斯科特的路径依赖。他的野心可能是一部“教父”，但结果是爱恨情仇，彪悍女性对懦弱男性的仇杀，好老套无趣。
2.5。導演和所有的演員像是沒有看過完整劇本一樣，機械地呈現著一個個孤立的片段。片段之間的情緒斷裂程度令人咋舌。此外，主創對於通過配樂所達成的間離喜劇效果同樣缺乏自信度。
《金钱世界》里那低饱和度死气沉沉的视觉风格也被用到了这部片子里，一个和时尚沾边的作品在观感上不敢恭维，帕西诺的表演是众星中最令我惊喜的。
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