Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
你信仰的是上帝还是恶魔？到底是上帝驱逐恶魔，还是恶魔驱逐上帝？看到最后感觉为第二部埋下伏笔。整体还行，创新大于内容
这个思路挺新鲜，以前是神驱魔，这回是魔驱神。并且魔在神界留了卧底，神也在魔界留了卧底，有意思
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貌似打了平手？但恶魔更高一筹，成功打入梵蒂冈内部了。然后感觉基督教驱魔这套挺搞笑的，装备好寒酸，整个比嗓门大。还是本土九叔，道家开坛作法那套来劲。。。
🎬《上帝的驱魔》🌟🌟🌟
消磨时间看看挺好的，不用动脑子，完美大结局，你好我好大家好～男主真的蛮帅的，哈哈哈哈哈
突然想起了以前看过的美剧驱魔
墨西哥电影，一部非常邪典的驱魔，整部电影十分流畅，而且惊悚场景不少，尤其是传导的意思跟普通驱魔片有很大不同，值得一看，7分。
剧中小物件都很有心，太可爱，每一个都击中。音乐也相当合适。
不要相信上帝与你同在，要相信你就是上帝。这句话告诉男主后，男主体内的上帝却被驱逐，真讽刺啊
故事是有感染力的，神父的愧疚跟不安展现得非常好。
人间的国只配恶魔来统治，而天上的国才是上帝的地盘。
牛逼，这个创意无敌了，反向驱魔，恶魔驱神！导演能力还有剧本可以再打磨一下
20220612 魔鬼点蜡烛画法阵向撒旦祈祷，将上帝从神父的体内驱逐，很有意思。可惜前面看睡了好几次。标题应该翻译成“驱逐上帝”，所以与魔鬼达成交易才能脱离基层是吗，上帝的选择都只能安排在最基层。
开头那个被鬼附身的女的乃子不错啊，看硬了....
上帝堕落成魔鬼这个点倒是挺新颖的 其他的一般
上帝被驱逐 最后恶魔一句话显得正义感爆棚
尴尬癌都看出来了，驱魔跟过家家一样，剧本是小学生写的吗？一部嘴遁电影。。
有点新意的驱魔片，驱魔师和恶魔互行驱逐仪式，一个要驱走附身对方的恶魔，一个要驱走附身对方的上帝……。🤪🤣
近年来最好看的驱魔题材了吧，无论从化妆摄影演技没得挑！
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