Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
还可以，没有我想的那么糟糕。换位思考真的很重要，以及烤棉花糖可真他妈好吃
影院有活动，暑假，档期合适。就这么带娃看了。
这个系列发展到第四部的感觉就是，人物建模和场景已经有一套套可复用的模板，就随便编一点不走心的低智商剧情，换件衣服就拉出来骗钱了，真的是再也做不会前两部的惊喜感，现在就是完全不好笑也不好看，索尼动画部门可能只是为了索尼应该有动画电影而存在的，从没感觉他们想超越迪士尼皮克斯照明，因此对这个系列的感情也算消磨光了，后面如果出不来名利双丰的，也确实没有看下去的必要了
没看完也不是很遗憾
为了后面的身份互换相互谅解，前面部分把女婿描述的也太差了，唉，动画效果还算可以
很经典的写作方式
本作对于德古拉和乔纳森的和谐使出了互换身体这种老套路的方法，相对也是比较“无语”，幸亏，其它角色的插科打诨，折腾搞笑挽救了这最后一次德古拉一家的有趣生活。
还是以前的味道，到这就结束了这个系列，主要也玩不出什么新的有趣的东西了
影院有活动，暑假，档期合适。就这么带娃看了。
美中不足的是，本片在思想意识上较为杂糅甚至矛盾，你到底是支持改变还是支持还原呢？还有，本片的主题到底是探讨改变，还是探讨事物的两面性？
包括着急忙慌，沟通不充分，隐瞒。
去的电影院没啥看的 随便选了个动画片 还挺可爱的
很难想象第一部是是十年前的事情，中心主旨‘事情总有最好和最坏的一面，尝试去看好的那方面’，真实又醒目。
真就强行作祸，最后用爱化解，相亲相爱一家人
明明是女婿的错，居然还要怪老爹
村庄的人不是保护了两个孩子，而是杀死了很多人。如果有下一季，奈奈一定要回归啊。
这个系列就这样结束好了，千万不要再拍了。每个笑点都很尴尬，太难得了。
影院才上映，忘记我已经看过了。总之这个系列就是很欢乐，可以一直出下去吧
叫出租车喷火看得哈哈大笑，返回去看了好几遍还是很好笑哈哈哈哈哈，精灵旅社完结了，happy ending
基本没有剧情，但是不枯燥，无厘头笑料大合集
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