Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
这飙车生猛！！终于不是平庸的直接加速冲火车轨道了
《的士速递》之韩国螺丝刀女侠！伪造中国护照然后偷渡到巴铁，你们好算计！
前半段看着挺酷的，后面嘛，就演不上去，华人就弱智了
朝鲜版速度与激情，小男孩颜值真高。我就说一直拍到jeep女主都不开一下？
开头那段真的像啊乐那部港产片。。。其他也就那样救小孩斗坏人。。。没啥意思。
这节奏这剧情这结局，没有特别差但也找不到什么优点亮点
这哪是《大叔》啊
还行，飙车戏不错！女主那种单眼皮婴儿肥的模样也是我喜欢的，但是归结到女版大叔这个范畴是不对的。为什么这种高战斗力的都是脱北的设定，看来韩国人比较疲软。
节奏很好的一部商业片，最后貌似还给第二部埋了彩蛋，挺好，挺好。
7分。
本以为又是一部仅次于《大叔》的《这个杀手不太冷》，结果却让人大失所望。
导演《速度与激情》看多了吧，整部戏都在飙车，飚的还特别难看。
从成年人的视角看，这类电影自然是无感。但小朋友们观影过程中的哈哈大笑、惊吓得捂嘴、兴奋地鼓掌、对着屏幕提醒萌鸡不要开门、末尾处感动得流泪……，都说明了这部片子很不错。能让一众小朋友全程盯着屏幕喝口水都嫌烦不愿错过一秒的电影就是好电影。
BGM风格跟《我的名字》很像，结果还真是黄尚俊，这是女演员动作戏配乐专业户嘛 朴素丹动作戏也算是合格了。
也太能打了 男主的吐槽真的搞笑，难怪说是脱北朝的
犯罪➕喜剧是经典美式，但赛车现在要好看，就必须非常好看，《的士速递》和《速度与激情》，二选一就可以
节奏很怪异，既然叫“特送”，相信很多观众是为了看激烈的追车戏才选择这部电影的，结果前半段很精彩，后半段拉跨，资金用光了还是特技组集体罢工了？后面的终极对决基本上全是女猪和反派肉搏，你逗我呢？
有点像音乐剧，有教育意义，知道外面的世界危险与诱惑并存，善良的人真的很温暖，升华——就算希望像尾巴尖一样小，也绝对不能放弃。
该有的都有，但是，这可不是什么女版《大叔》啊！！！！我想看第二部，来个15年后的那种
韩国爽片 但是这个小孩子让我全程厌恶啊 女主角很有感觉
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