With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
Emily blunt各种小动作小表情，梦回Devil wears Prada片场😆😆😆
感觉有很久没有看过这类题材的电影了，看的还挺开心的，虽然有点扯。比起现代杀手特工类的剧本，强森其实更适合这类冒险奇幻色彩的剧本，长相肤色身板表情都很搭，不过也看出强森是真的老了，年轻的蝎子王已经是20年前的事了，还是挺怀念那些老电影的。推荐观看。
不死之身之前好看，之后就儿戏了。不过先想想香港迪士尼这个项目卡其布俊男美女服务员，再看看精美的良心大制作很认真，又叨叨无脑合家欢也是不常见，就又挺喜欢这片儿了。CP也是蛮好，不输前辈作品。
人设不讨喜，剧情强行圆，魔幻有海盗的印子，中平之作
巨石强森的那句“你尿裤子上了吗？长裤女士”简直笑死我了。
国泰电影院和龙。
迪士尼真要想再原创，有这钱和精力还不如去想想怎么复活一下《明日世界》，起码这片子在创意上要比本片有趣的多...
很好的奇幻片，适合一家老小一起欢乐地观看。女主很漂亮，强森还是老了很多，CP感差了点。反派演员杰西胖得比瘦时更惹人厌。各种特效很不错，合家欢电影最后必然是Happy Ending。消暑良片。
老套的探险故事，没什么新意，就是画面清晰了
套路到我都感受不到这部电影的优点……纯当作干活的背景音乐来对待了……
【200/166】亚马逊的生死旅程，巨石领衔丛林历险之旅。从场景到服装再到动作这很迪士尼🤪不过还是更喜欢看强森的暴力美学💪👊🏿
不过感觉强森演来演去都是这种类型的角色，《勇敢者游戏》、《摩天营救》以及《狂暴巨兽》，都是这种风格。期待《黑亚当》能够有所突破吧。
7分。虽说不上大惊喜大出彩，但有所有你对丛林电影的期待，惊险-搞笑-神秘-寻宝，配爆米花绝对不错！
前半部完全是闹剧，从后半部开始可以看了。无脑爆米花电影，当聊天的背景电影看还行。
就中规中矩的探险片吧。我睡了半小时接着看的，一点不影响理解。
加勒比海盗+夺宝骑兵=老鼠的爆米花, 中规中矩,无功无过
迪士尼的片子 你懂的…… 优秀的制作老套的故事 就是让人不厌其烦的一部接一部看
美国人对日本刻板印象好重，这么多年了日本一直就是赛博朋克风格，在主角没枪的时候，大家都不能有枪，然后必然因为技术差距被毙，和以前的反派死于话多一样。以及美国人好喜欢组织，不管是谁，必须待在一个组织里，哪怕是杀手也得有组织有纪律，没有纪律就杀掉你😓
典型的迪士尼奇幻冒险片，画面精致，特效在线，故事情节跌宕起伏，结局圆满。
127分钟18秒 23.976fps 流媒体WEB 此类冒险题材电影已经没有什么新意了
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