Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).
The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
8.5/10.
摄影和配乐都很喜欢
当荒谬到一定程度后，你会觉得真他妈的写实啊。分裂的、反智的、贪婪的、混乱的、愚蠢的...人类。结尾全裸出镜的演员们辛苦了...
四点五，菲尔的形象很复杂，观众对他的感情也很复杂，需要仔细想想。
毫无耐心地看完前一半，两个月后看完后一般整个人爆炸。人物散落在每一个缓慢的时间符号中，立体，透明，看到自身
1-4章缓缓展开很精彩，到第五章突然就莫名其妙起来，菲尔突然就开始对男孩友善了，妈妈突然就要死要活了，然后就快速推进到了割炭疽牛皮，卖牛皮和借牛皮杀人了，和前四章的缓慢相比，简直是惊人速度要飞起来了，后面看了好多原著解读才搞明白是什么意思。可惜了前四章的铺陈实在很遗憾。
你把陨石当新冠一样来看，就能懂里面的笑点了。
好久没看到情绪这么克制的片了，很喜欢Peter的设定，中立性别的暧昧感
这部电影还是比较含蓄，就和男主压抑的情绪一样。
太痴情了太纯情了....明明就是爱的很深的爱情片，可是太残忍了，被看透就全是软肋，一击毙命。送绳子那里不知所措的扔在地上，好心痛。
这就是过去两年，人类对待这次危机的态度，众生相，政客贪恋权利，媒体贪恋流量，资本依旧逐利，学者无力，民众不知道信谁。反智，嘲讽，发泄，祈祷，人类渺小，面对自然和宇宙，我们什么都不是
有些晦涩，但表演张力极强，结尾不出意料的透着冷酷的血淋淋。
以前一直不懂卷福帅在哪里，这部片get到了。坎皮恩的功力还是深厚的，看得很舒服，然后地主给新婚老婆搬钢琴那段是致敬自己的成名作么😄……
小说改编难度很大，成片已经很好。本尼更是性感到难顶啊
用男权打败男权，什么以柔克刚，什么逆练女权？
这么多明星来为圣诞添欢乐结果也没觉得有多精彩，大材小用典范了，还不如让他们一起唱圣诞赞歌俩小时。
本来要煽牛，但是三分之二时间都在磨刀，最后把牛杀了
人死后头发还在长？
太隐秘太克制了
“求你救我的灵魂脱离刀剑，救我的生命脱离犬类。Deliver my soul from the sword; my darling from the power of the dogs.”
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