Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
中午刚看新闻说欧盟已经在禁止俄罗斯油气进口一事上达成一致，至于能不能真正摆脱能源依赖，这个问题对于我这种平民百姓来说实在是太复杂了，但我能理解的是，如果北海油田真的如电影所述，那欧洲的民众肯定要面对一个难熬的冬天了。
主角不好看，
挪威灾难片，反正就是感觉一切正常吧，故事正常，灾难正常，动作正常，加入了一些对于环境问题的探讨，将就看，6分。
节奏不快不慢，不象好莱坞片似的一直打鸡血，喜欢这种风格
挺沉闷的灾难片，灾难场面没有太多展现，剧情行为逻辑不太经得起推敲，人物描绘也就及格水准。
钻井平台受到地面沉降，拯救自己爱人的故事，太简单了，场面又不大。还有个逻辑漏洞，泄露的石油烧烧就可以了？
一切的自然灾害都来源于人类对大自然的索取无度
非常可爱的少年追梦故事，尽管中规中矩，但追求梦想的故事永不过时。内特和莉比的友谊也很让人羡慕，无关性别，只是单纯的好朋友。
我和朋友，半夜吃着汉堡，期待的观看所谓的惊悚灾难片，看到睡着了好吗？请问惊悚在哪里？最精彩的后段，全程狗血剧情，怎么所有电影都这种剧情，马上跑了，必有意外，一根管子就要了同事的命，女主男主只会坐在位置上告诉同事不要出去，那你TM站起来阻止啊，门关上了男主想着站起来了，对不起，我看不到本片的内涵，只能说被骗进来了。
神马情况，男女主角都没事，把拉来帮忙的小伙嫩死了？
how should i live
电影除了对人性伟大的刻画，更多的是要唤起对生态环境的尊重，人类从改造自然以来，就所获得的一切皆心安理得，一味的索取最终将获得自然的愤怒，北海油田的事故也许就在不远的未来发生。
导演是不是在脱发？对片中唯一头发完整的成年男子亚瑟安排这样的结局。
【石油平台倒塌，妻子带队营救丈夫】 挪威海岸上的一个石油钻井平台突然倒塌，研究人员意识到这只是更严重事件的开始，试图找出发生了什么……
最近很少看到Rom-Com了，不知道为什么，好莱坞不爱拍了吗？打开这个看看，觉得还挺轻松愉快的。
纯粹想温故下挪威的自然风光…剧情实在味同嚼蜡，劝退…
单身狗不配幸存，到最后人家一家三口大难不死含泪相拥全场都没一个人想起来问问亚瑟去哪了😂
女主为了救爱人，带上单身男同事，最后不出意外的男同事为了成全他俩牺牲了。火海的场面还不错。远程遥控机器人很厉害，可以折叠，有触手，抗住深海压力。北海油田大部分由英国控制，有过平台灾难，但还是大采特采。
北欧灾难片，不过由于格局在那里，所以拍的观感一般，但是也不算难看。
属于环境灾难片，比较符合北欧人关注环境的口味，然后故事主线是美女救英雄。电影叙述很常规，猜都猜得到，前期交代美女能操作水下机器人，讲和秃头男很和谐，然后引出环境事故，之后美女一定去救援。只是最后是一命换一命，同事牺牲了，但美女肯定觉得值啊，反正自己在乎的人救回来了，真是无耻之极，死去的同事多么无辜。
Copyright © 2015-2023 All Rights Reserved
