Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
每一个真事改编的故事都很励志与特别，像光荣之路，弱点等等
前面太灵了！全钟瑞出现的第一下就很不一般，好喜欢，孙锡久也好可爱
typical American dream. 贵在真实。
韩式成年人的反套路爱情甜品很久没看了，还不错
太短了太快了能再长一点就好了，典型的fwb的故事，还是燃烧的女主
你相信做着做着就爱了么？
22_016。就是一般的恋爱电影，没啥特别感觉，结尾有点弱了，全钟瑞全场都很灵
我真的很想给一星，完全没有新意的老套路、浪费了演员的演技。话说韩影现在都是丑男当道吗？男主丑的目不忍睹，女主声音难听的不可理喻…两颗星真的很大方了
不过都市爱情剧情给出了 现实恋爱的观感
所以缘分来的时候别管它是约会软件约来的还是从天而降的，就是它了
孙锡久硬是用演技演出了一个憨憨。。全靠演员撑起来的爱情小品。
感觉他俩都不怎么适合这种比较入世的、生活气息很重的角色。
我觉得该片其实在讨论一种新的恋爱形式，先有性后有爱，是不是爱情。当然传统的观念里，爱情必须是先有爱再有性，可是随着时代的更迭，快速发展的交际关系，难道人和人必须要压抑性的欲望，就等待一个爱情的机会吗？
最近真的好喜欢看这种爱情小品 两人的化学反应意外的还不错
原来无论受过哪种教育/哪个国家的 当代的年轻人，恋爱的模式都是大同小异啊，but孙锡久真的太太太帅了
還是比較俗套的愛情小品，尤其最後部分，有性無愛還是不行啊。本來為了看孫錫久不過全鐘瑞有點意思，如果不是這倆人電影可能會更垮
每一个真事改编的故事都很励志与特别，像光荣之路，弱点等等
很活泼轻松的爱情电影，后面节奏放缓逐渐落入俗套。全钟瑞好灵动啊，演戏实在是太灵了，生动的面部表情和一颦一笑太动人了。孙锡久演这个角色虽然违和感不强，但是感觉角色有点干巴巴的。剧情就是比较艳俗的从炮友变恋人的故事，比较轻松的氛围，另外18🈲元素过多哈哈哈。
电影里唯一短的地方就是时长了
看到手机的那个剧情有点套路，但是片子还不错，结局也是，相视而笑回到过去。
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