剧情介绍

  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 

评论:

  • 綦鸿福 1小时前 :

    ——“就像一句句文章汇聚成小说,痛苦的情感汇聚成了人生,体会到心意,离别,守护爱情,彼此安慰,那炙热的季节,他们也一样,某些人虽然年轻、莽撞,或许与常人不同,那些主人公也是灿烂地、或者用快要痊愈的伤痛,在谱写人生,但我还没有执笔的勇气,一定要对正在克服伤痛的他,说出这句话我才能执笔:你对任何人来说都不是伤痛,你对我来说是安慰。”

  • 杜彦露 0小时前 :

    dianxingde典型的日剧,吃饭看不错

  • 诺成弘 7小时前 :

    同性题材黏糊糊,主人公精神乱糟糟,亲情讲述无论如何无法共情,40分钟就想弃掉

  • 檀恨竹 1小时前 :

    “我不再是那个能听你倾诉的人了。”

  • 祥馨 7小时前 :

    品味真好,我也喜欢キリンジ的エイリアンズ~前面简直逆光的美好~

  • 曾经武 2小时前 :

    大家都喜欢看《花束》,尤其是文青,但这部貌似更贴合现实,在毕业后就被大厂磨平棱角磨灭激情后,哪有那么多兴趣爱好相交的甜甜的恋爱,不过都是梦幻的泡沫罢了。年轻时可以通宵畅饮圆觉寺,黎明时分正常上班;年轻时可以挥洒称霸涩谷的豪言壮语,可以在大床房的床头睡醒后听完iPhone4s播放的《エイリアンズ》,但现实呢?现实是“我到成田机场了”,现实是“你的印章得斜着盖”。【幻月字幕组】

  • 游和暖 1小时前 :

    感觉这类电影很难引起观众共鸣,片子并没有出彩的地方。

  • 江森莉 4小时前 :

    男主双相障碍(易怒、冲动消费、找乐子、而又及失魂新年夜或瞬间抑郁、恐慌)

  • 诗茜 3小时前 :

    剧情三星,颜值和演技四星。“卓定深沉莫测量;心猿意马罢颠狂”

  • 虞格格 7小时前 :

    平平淡淡,本以为可以拍出不一样的青春映画,但也就那样吧...松本花奈只适合拍淡淡的恋爱青春映画。

  • 薇冰 0小时前 :

    中年躁郁症大叔的二三事。(世间什么事物永不过时?答:Leo叔的脸。曾经的小鲜肉已经有皱纹了,但每一道皱纹都那么美。)

  • 晋芷雪 4小时前 :

    戳中笑穴的电影 “爸爸 前面太黑 我什么都看不见” 还有那句 “说他喝醉了 说你当时揍了他一拳”给对方和自己都留一点体面

  • 枝泰鸿 8小时前 :

    父女两在海滩边望着清晨的阳光,嘎然而止,我觉得这样的结尾会更好

  • 郁承嗣 2小时前 :

    真不能给高分。不不过十八流导演能把故事讲完整我觉得已经足够了。虽然这个故事的瑕疵还是很多很多,然而至少不荒唐。可能导演的大学时代就是这么过来的?

  • 梅涵 8小时前 :

    平淡的毕业到社会的生活,后面有点反转,不痛不痒……背对太阳跑那段是最佳了吧,通宵玩乐到清晨的画面看着就怀念《你的鸟儿在歌唱》那段了,那边的ost更深得我心

  • 问秋彤 6小时前 :

    对我来说收藏程度大于烈焰焚比币,该哭的哭了该看的看了,我就喜欢sbaraglia这款

  • 祖依然 5小时前 :

    躁郁的精神状态让生活中的一切关系陷入胶着,酒精无法提供的答案,或许可以先接受,然后一步一步地探导。

  • 辰澄 6小时前 :

    还真是全剧静心看完了才明白为啥取这么个剧名,爱情总是无缘由的,爱与不爱,左右得了自己,左右不了别人。对?错?谁能说得清呢?

  • 郯秀隽 2小时前 :

    生活里的bipolar够多了,电影还拍个没完.......

  • 祁丽薇 7小时前 :

    三星半,先看了东北告别天团再看这部,人物有惊喜,加半星鼓励

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