"Once upon a time, before people came along, all the creatures were free and able to be with one another", narrates the voiceover. "All the animals danced together and were immeasurably happy. There was only one who wasn't invited to the celebration - the frog. In his rage about the injustice, he committed suicide." Something Romani and frogs have in common is that they will never be unseen, or stay unnoticed. In her film, young director Leonor Teles weaves the life circumstance of Romani in Portugal today with the recollections of a yesterday. Anything but a passive observer, Teles consciously decides to participate and take up position. As a third pillar, she establishes an active applied performance art that becomes integrated in the cinematic narrative. Thereby transforming "once upon a time" into "there is". "Afterwards, nothing will be as it was and the melody of life will have changed", explains a voice off-camera.
倒不用想着说推理有多强 但是故事很有趣 以及对酒店业者的刻画也很吸引人
中规中矩，要是两边的时间年段更明显就好了，十元居然开始演妈妈了orz
全程想睡觉……一星给女演员们的穿搭，一星给田中圭的演技。
怎么能不为爱豆撑住呢？谁能拒绝新田警官呢？
4、全员演技都很僵硬和浮夸，木村一半的时间插着裤袋耍酷演戏。
看一半几乎就能猜对的剧情，不过不得不说选角是真的很合适，仿佛是为演员量身定制的角色，十元的角色，那人设，换个人可能说服不了我。
不知道动机但也一早猜到了凶手，故事没啥看头，纯粹看人，看卡司阵容！
流水账式的温情戏，挑不出大错，就是寡淡温吞激不起波澜，最大的看点就是永野芽郁的仙女落泪//田中圭和永野芽郁怎么看都不像是父女啊，甚至还有一点夫妻cp感，对不起......
套路居然和上一集一样 果然看颜才是真的 台词一直都在反反复复说一件事 太拖沓了
老套的故事啊，实在是没啥意思。木村也老的厉害了。
除了悬疑成分其他都过得去，虽然如此但是看着喜欢的明星还是忍不住加星。
单纯的理解家庭之爱就好啦 被好好爱护 一定会成长的还不错 全是和美的结局 剧情的不合逻辑会被爱带过
为了冈田看，结果冈田在这里没那么好看了。剧情就是没有剧情。
说实话我还挺吃亲情牌这一套的，加上咩酱和十元母女的组合过于新鲜（？
冲着石原里美看的，看了一大半不高兴看了，比较无趣
一开始很不能理解，十元那个角色都不是小女孩的亲生母亲
非常奇怪的片子，大半部分更像荒诞喜剧或者悬疑，结果却硬凹温情，每个没有血缘的爸妈都是慷慨正能量的接盘侠，实际却是把小孩像中古货一样来回倒腾居无定所，图啥呢，是不是不发火就把人当傻子呢？
推荐指数：🌟🌟
续集的推理依旧糟糕，亮点还是两位主角和舒适的酒店氛围和服务。
《哀愁灰姑娘》是尬黑化，这部就是尬神化。日版四大宽容，完美对应人都死了孩子还小大过年的都不容易，全员圣人伟光正站在世界中心呼唤爱。
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