With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
典型励志片，男主表演有点傻白甜……盲人小孩zack是亮点
这是他妈啥啊……这还要什么剧情啊，直接开场打打打打到结束不就完了嘛……我看到她妈装鬼唱歌现身都笑喷了……
和第一集調子不大一樣，不過也是出效果，這也是最強老爺系列了。
虽然第二集很多打分低，可我觉得2比1更刺激了，虽然变成动作片了。
和后半段快意的虐杀
又一条狗引发的惨案 爱狗人士狂欢
新时代母慈女孝代表作，导演与编剧还能不能把不正常的想法都塞进作品里，要不是知道老头是个繁殖癌变态，跟连姆尼森杀敌救女基本没啥区别，两部作品分裂感这么严重，我是没有料到的。
我算明白豆瓣这帮装b犯了，这片儿多好看呢！瞎老头大战群匪，就算不是在一个单一场景光这个设定就很牛逼啊！还有在那儿嘲小姑娘长相的，她演技多棒而且也很灵啊，嘲小孩长相的人最垃圾！以及，要是再来一遍瞎老头在密室虐杀小贼，那帮人又该嚷嚷没新意了！这世上没有电影配得上他们！
剧情简介里写的是“棒球明星”？能不能走点心…
和后半段快意的虐杀
本身就很喜欢体育题材的影片。主人公的确很励志，一直没有放弃自己的天赋，最后终于抓到机会，机会是留给有准备的人的。
不出意外地烂尾，空巢孤寡老人彻底变身不死小强，大爱无疆甚至感动收服了对手的斗牛犬，对方阵营光头汉更是圣母直接放水送地图，可收养八年想培养成小天使没想到最后砍妈劈爸，惜最终落得鸡飞蛋打，连房子带狗都被一把火烧光，就看第三部怎么给盲老汉再编了
丧失视觉能发展出蝙蝠技能吗……老汉不容易……
典型美国梦的故事，这样的电影将影响很多人的一生
不当作续集看还可以，你把这一部理解成一个小成本的《暮年超胆侠》会获得额外的快乐。
前半部剧情有些不连贯。不过后半段确实很感人…作为一个真的热爱某种运动的人我是能感同身受的。
没看出来传奇，可能人生就是没那么多戏剧化。
华叔的传记片必须期待一波 美橄的电影早已经看的差不多了没得看了需要新的来满足 不知道电影能不能带给我第一次看华叔橄榄球人生那一集的感动
小女孩亲身父亲夺回女儿是为了移植心脏给女儿的亲身母亲——毒枭女人，疯了！这三观好吓人！居家简陋的临时手术台，一名医生做心脏移植手术？这样的谣言大陆曾经疯传过，老外也信这个。整部电影吐槽点很多，观影过程怪怪的，更像《致命弯道》，完全没有《屏住呼吸》第一部的深度。一个长达4分57秒的长镜头运镜设计不错。 6.6/1.44万【6.1/2.3万 北美票房3152.98万美元，全球票房4612.98万美元】
七冠的布雷迪是传奇，华纳是个传说。这部电影像是把前些年科特华纳的纪录片翻拍了一遍，前面铺垫很多，后边节奏有点太快了，像是要赶着把故事讲完。七分是比较公允的分数，但是作为一名盼了这部电影十几年的老球迷，我还是选择打高一点。
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