Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
回声感应的视觉化处理和男女主看不腻的脸就是全片为数不多的记忆点了。
不能更无聊了… 2022 了还有年下20岁的工具人女友。索尼还留彩蛋想拓展宇宙… 太惨了
莱托的颜值也救不了这烂片。超英套路越来越不走心，剧情稀碎，坏人就是忽然这么坏且忽然就死了。特效也越发生硬。俩彩蛋更是跟shi一样。感觉看完智商都低了半截，相信哥，这俩小时去干啥都好。
又是像毒液2一样浪费时间的片子 索尼这样搞下去迟早要完蛋
2.5可能是期待比较低的缘故吧
其实，大科学家可以研究一下，人血有什么成分能够让吸血鬼钟爱，然后造出有效的缓释胶囊，达到长久清醒的状态。另外，看完之后，感觉本片的剧情顶多能做一个三分钟…其实没啥剧情……
标准的好莱坞流水线大片，全程甚至大战都很平淡。
真的太无聊了，无聊到我看了好多次手机… 作为一个研究人员，徒手碰bloodborne samples是真得很拽哦？这是bsl2以上级别的东西了吧！我只记得女主好好看，她在poi里就好亮眼！以及keaton新预告真的是注定鸟人了… 咋说，真的就好无聊！本来就平淡无奇的剧情还这种水铺垫这种瞎转折。而且开头这一幕为什么从来就不解释？？？不愧是leto，以达拉斯和美国精神病人的不同身躯，演绎了dc最烂片和漫威最烂片…… 下次选片长点心吧！
「索尼」宇宙只会重复「毒液」的故事？陈旧的故事框架、人物关系，包括视效也只有两把老刷子，在电影之外则是索尼试图打造自己超英帝国的各种鸡鸣狗盗的小把戏，反而更加有看料。
这是什么牛马超英。。。你换成b级恐怖片倒还可以
男主这长发LOOK倒是很有邪恶感。
这位导演眼里的超英片大概还停留在18年前《猫女》那种水准吧
你还不如就告诉我，你想拍一吸血鬼电影，然后碰巧遇见了漫威这帮傻逼金主？
注射吸血蝙蝠的血清以期变身蝙蝠侠，结果变成了吸血鬼，因为蝙蝠侠靠的是科技，跟蝙蝠没啥关联，莫比亚斯拒食人血，不甘心成了反派，于是来了个吸血鬼二号，恰好毒液2也走了这条道，以更恶掩盖恶的来源，光明不可能，暗黑又没到位。
请听题，影片中有一下元素或者台词，请判断这部电影的类别是？
特效是真的好
最后可太草率了！明明都是同类，为什么蝙蝠只听一个人的？？？战斗力太弱了。为什么就变成奇怪生物的人没有那么多痛苦的经历……本来觉得可能会很好看。不得不说Jared Leto的眼睛真漂亮！
我有些精神分裂了都，这剧情为什么前言不搭后语的？结局不是说先杀基友，再自杀的嘛？然后加入了秃鹰的阵营算怎么回事？还有基友因为嫉妒，他嫉妒什么？？？我一直等待电影高潮，结果就这？？？是不是没经费了啊后期，寡淡如水，逻辑不通，大写的无聊！
实际的吸血鬼：像饿了八百年的皮包骨大猩猩
比较无聊的故事，看开头就能知道整部电影90%剧情，除了俗套之外，剧情上也有漏洞。粗制滥造的主题公园，结尾彩蛋也没看明白，突然要去做坏人了吗。
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