You are never fully liberated from Auschwitz, 11 July 2016 Author: Red-125 from Upstate New York The French movie "À la vie" was shown in the U.S. with the translated title "To Life (2014)." It was written and directed by Jean-Jacques Zilbermann. The film is a Post-Holocaust saga, although it opens with scenes in Auschwitz that are truly horrific. Hélène (Julie Depardieu) and Lily (Johanna ter Steege) were friends in Auschwitz, and they managed to survive the death march from Auschwitz to Louslau together. A third friend, Rose (Suzanne Clément) was unable to walk, so they were forced to leave her behind. As it turned out, Rose survived until the liberation of Auschwitz. The three did not see each other again until 1962, when they come together for a reunion at a beachside resort in Northern France. We learn early in the movie that Lily divorced her husband after the war, and is living as a "free soul," with no permanent partner. Hélène and Rose both married concentration camp survivors. The plot of the film--based on the lives of three actual friends--revolves around their interactions during the reunion. No matter how much ice cream they eat, and how they display their new bathing suits, thoughts keep circling back to Auschwitz. They quarrel about tiny details which they remember differently. They revive horrible memories. It's clear that the reunion will change their lives, but whether the change will be for the better or for the worse is an open question. For reasons I don't understand, "To Life" caries a terrible IMDb rating of 6.1. Fortunately, we saw it as part of the excellent Rochester Jewish Film Festival. If we hadn't had "All-Event" tickets, we probably would have stayed home. This is a movie to be seen, not missed. Ignore the rating and seek it out. It's available on DVD, and it will work well on the small screen. See it!
从她们看电影后开始哭哭到结尾，狠狠地代了。
好苦情，好现实，把张力体现得淋漓尽致，怎么说，不管是场景是止步在离开还是止步在重逢其实都是一样的，我们心知肚明就算编剧写下的是一起逃走，最后也都是这样，这就是相爱的代价，重点不应该是我们最终能不能走到一起，而是明知你要承担这样沉重的代价，你还要不要忏悔你的罪孽？
曖昧期的極致推拉和小心翼翼的反復試探讓人欲罷不能。
两位女主之间很有张力，但是电影十分虎头蛇尾。
看不太懂，可能是因为宗教背景吧，故事展开也挺奇怪的…黑人小哥可爱多了…唯一就是风景和主角都挺好看的吧…不知道为啥评分这么高
好啊又是拉拉👩❤️👩你们爱而不得的女本子还要虐我多少次呐...太细腻太真挚的感情，可是一个人的信仰真的无法支撑两个人💔是今年看过除了小姐之外最好看的姬片了！
很多细致的地方看不真切，比如女主的姨母态度是复杂的，关于这个教，关于成长和爱的关系。个人感觉电影技巧真的很粗糙，而且不知为何我就是没办法产生cp感。弹钢琴那段想到烧女。
大概只有姬佬才能拍出这样的片子 隐晦的推拉真的很爱
圣经上偷偷触摸的指尖、厕所里让人心动的背后抱、浴缸中为爱接受的洗礼，终究敌不过现实，宗教对人性的压抑堪比封建礼教。
爱情最美好的时候永远是暧昧期，那种克制、欲望、向往……后半段有点俗套了，虽然现实。不过事实证明女人生孩子与否差别真的很大，不仅是导演刻意塑造的形象，反观周遭的人同样差异明显
前期的暧昧真的好刺激，但是结尾略显老套，或许是我年纪大了，不相信这种多年后重逢的狗血故事。作为一个无神论者也很难理解marike突然因为宗教理由结婚这件事……
最喜欢的三幕：饭桌上祈祷时的对视，电影院去洗手间的背影，在隔间的拥抱。啊女孩子真的太美啦！
家人们，我们内鱼青春题材没有什么早恋和下三流梗就已经赢了一半了！
因为爱情的吸引而总是顺从和向另一个人妥协，只为了正当的陪在她身边很真实，但也脆弱，因为总有不安、害怕、忐忑。
，爸爸兄弟们是无手的动物，，饭桌上却坐在最前面，拥有最大决策权。
颜值高又有cp感的不多，两个人给人舒服干净的感觉，戴眼镜的女主像小k有点帅哦，剧情没有跌宕起伏但里面有几处真的很有性张力暧昧紧张直达心底，所以说第一遍是看剧情第二遍是看细节，电影院，浴缸，还有手指摩擦这些场景可以百刷不厌，虽然床戏没有露，但两人的接吻也好有感觉，里面感动的台词也很多，我一个人的信仰足以支撑我们两个人，又感动又无语😓宗教真是邪教组织，讨厌！很多人说be也不完全是，算是开放性结局吧，结尾的不打算放我走吗？在剧里出现了两遍，唯一不足的就是没看够在多个十分钟就好了，看到女二离婚带着孩子跟随女主去生活就完美了！当然一切留给我们想象吧。还有个小细节女二孩子叫卢卡是女主提到过的地方。
给梦中情妹jamie三星 剩下的给两位女主之间的chemistry 没结婚之前直接给我甜昏头了 最后十分钟完全没必要😢
不过看到一个说不信，一个说没关系，我可以为我们两个人信，还是很感动。再到后来多年后重见时，眼里盛不下的悲伤真是令人心碎。
绝了，年度最佳。无字幕看了一遍，英字看了一遍，中字又看了两遍。
细腻的情感表达
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