Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
是十几年前好莱坞流行的先性后爱题材，论成熟度其实还不如当年的《我的P.S.情人》，但是孙锡久太迷人了！！！
多给0.5分，希望自己的博士生涯也能像他一样
还行…emmm然后就没什么额外的感觉了…不过男女主颜还是好看的
能看到两位我喜欢的演员合作爱情电影，已经够让我感激涕零了。但是现在问题来了，怎么才能约到小全总这样的女人和孙锡久这样的男人。🤔🤔
虽然大线剧情俗套，但是有些细节例如女主性格还是有新颖之处。29岁如果我也能遇到这样的缘分也许也不错。太爱全钟瑞了怎么会有这么美妙的女孩子。
两位主角其实都很迷人，但本子比较一般。很像“我的SP搭档”2.0版。
不好看吗???这种爱情轻喜剧最近狠得我心啊……
台词很不错 特别是女主的 男女主的演技都很不错 剧本还是偏通俗了一点
三星半。作为爱情片来说还挺好玩的，两个卡司的演技确实没话说，好喜欢在酒馆的那场戏……全妹的台词太流畅了，骂脏话都很优雅哈哈哈哈
Character translates anywhere
还蛮喜欢这种质朴美国人傻傻的坚持的精神。life is not about how much we achieve, but how we become. we won't take off when things get hard。destiny - it goes to underdog.
很美式的运动传记片，好想体验一下运动员的人生啊。
纯冲着演员看的，就是简单的小故事。演员yyds
包装成橄榄球人物传记的福音电影. 正好赶上今年RAMS夺得超级碗，也算是天意如此！ 缺点很多，场地太小，球赛内容太少。比起Kurt的逆袭，NFL拍的TB鞭尸那些比他先被draft的QB才是真的有趣. 最近看Peyton讲细节，真的太逗了。估计没拍这些是版权太贵？
收尾不行，严重缺乏情节填充，俩人醉酒戏拍得不错，演员状态很投入。
很多人都成不了励志故事的主角……
7分，当然不值四星的，非常像十几年前的韩国爱情电影，结局很无聊，但是全钟瑞太漂亮了，一直觉得孙锡久好像性感版曹承佑哈哈哈哈哈，最喜欢酒馆那场戏。
合格的爱情片，全钟瑞的形象比燃烧和电话里面的甜了好多……
演员演技很扎稳。整部电影看的很舒服，家庭球赛场景剧情节奏穿插的很完美。
我觉得全篇最灵的就是开头，女主做春梦，梦中sex起劲的男的却开始唱起了韩国女团卡哇伊情歌，最后发现是闹铃，这个太好笑了。
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