Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
不要离去 从心里抱紧我。
已经过了10年了，当年看这个的时候还是在暑假，现在都已经工作这么久了
借着十周年的噱头明着给人喂翔，我一个骑士飞踢把主创们的*创到螺旋升天翘jiojio
🔪傻了，剧情太赶，几个干部啥也没干就GG，王莫名复活
天海一点都不像人妻和人媳啊……最后买了包跳起来才比较像她自己
我真的真的好喜欢好喜欢OOO，我还能看到未来的剧情吗？还是真的就戛然而止了😭
英雄式结局， 把王给搬出来结果主角结果成泉警官了 这种结果是高尚的，就是对情怀观众摸不到头脑，看来确实不会再拍了。 新皮套不错 十年一现珍惜眼前
刀死了。。
编剧根本没有心！我给你一拳！！！我怀疑他根本不爱这部作品才能写出来如此之烂的结局！！！！！
看完之后先是难受，后是愤怒。以ankh复活为噱头，十周年就给了这样一个结局。剧本烂到极致，为了致敬TV版而致敬，节奏太快，映司都没有真正意义上的出现就和ankh告别了，看到映司死的时候整个人就是一个大无语的状态，完全背离了OOO的价值观anything goes，看完很绝望难受，在映司离开的时候ankh有多么的伤心，要怎样怀揣着希望生活下去。一星给演员的付出和努力，一星给情怀。
时长短，经费少，故事弱，大纲很不错，拍出来的效果就很差，唯一感动的是原班人马的重聚
2022.6.29
网上的剧透真的太烦了，看都没看就争相传播，还玩梗，实属没意思
刀得太狠了。这就10年了，我的平成新十年最爱
全员回归，除了博士，但是greeed四人组就打个酱油有点可惜了/剧情还是能看出想搞一些新意的/肉眼可见的贫穷，特效能不用的就不用，皮套能缝就缝/有些地方观感不是太好，比如最后把小女孩牵出来给人感觉很刻意，改成映司望着天空死去，在遥远的地方小女孩似乎察觉到什么也望向了天空，这样的设计虽然也有些俗套但是我觉得会不错/after ten years实在是一个好文明，建议来打这边可以多搞
还铺了一大堆回忆
刀死了。。
没看过剧版，一集都没看过，但是这部电影还挺好看的。
昨天的蜃楼死了，今天的映司也死了，我泪目了，最后ooo的十周年不能欢庆一下吗，非要那么悲伤
为了剧情而剧情。太过粉丝向，而我只是个路人
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