James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
气氛过关 就是这剧情未免太雷同美恐恐怖屋了
虽然剧情很单薄无厘头，但是至少结局爽到了，而且演员都不错
忘记喝孟婆汤的下场。
视觉上有点像昆池岩 整个没什么逻辑 有点故弄玄虚
适合自己在家开投影看吓自己
无语，为什么老旧的危房充满鬼的房子不一把火烧了。。。既然不让人去那里，那就拆了啊。。干吗老是作死去探险，无语，
谁能想到这玩意还拍到了第三部 不过笑点和恶趣味还真是 不管过了多少年 都能心领神会到 啊 果然是鼹鼠之歌啊
多条线并进，剪辑手法还挺有意思，但是揭秘整个大厦的背后黑手就是那个被她爸失手杀死的多重人格小女孩之后，就感觉有点点索然无味。男主从头到尾都在循环，也是挺惨，这个结局让我想起了《两个月亮》。
无语，为什么老旧的危房充满鬼的房子不一把火烧了。。。既然不让人去那里，那就拆了啊。。干吗老是作死去探险，无语，
无限打怪，其实你已经死了，但你死在哪个关，你猜？
很好的构思，就是导演的功力不足以覆盖这么多线，反而杂乱无章了
其实是我觉得就算官司赢了，把人关进监狱，也不算什么真正的正义，毕竟他能搞定警察，能为了掩盖杀人事实不停地杀人，完全有恃无恐，相比于坐牢，对于他们父子俩唯一影响的应该是党派内的声誉吧。
多重人格鬼杀人物语。男主挺帅，其他也就昆池盐水平
如果导演能力有限的话，大可不必把时间线拍的这么复杂
20220530 和前两部一样，只要自己不尴尬，就能看进去了哈哈哈哈。堤叔实在太出彩了！！
这个概念不错呀！！！吓人程度一般，但是无限循环这个点挺新鲜
还不如TVB的电视剧，结尾反转勉强算是亮点吧
内容上还是差了一点，时空交错这个点拍好会是真的出彩
全程沉闷节奏一般老梗炒来炒去，氛围也营造的一般，不太喜欢。
真的太像那个梦了，我也不过是个地缚灵而已。
Copyright © 2015-2023 All Rights Reserved
