Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
第一次在法国影院碰到这么多青少年一起看电影，毕竟一般都是和老年人。不了解原著，也很少看此类型，但是看起来毫不困难。具备一切元素，很饱满，少年成长，友情，青梅竹马，师生情，前辈的决裂和选择，正邪选择等。反正就很类型片，画面和打斗也很不错，除了偶尔觉得有点中二和出戏，毕竟过了最恰当的欣赏年龄。
说起来这个作品在动画的时候我就不喜欢，看过超过六百部动画（豆瓣都有记录）的我，唯有这部充满了别的作品的影子，让我很反感，没有原创性再火都是没灵魂的作品。但既然大家都没意见甚至“致敬”还成了卖点堂而皇之了我也没啥说的了。
😭我永远爱五条！
- 2022/05/19，看完。“最后你倒是说点诅咒的话啊。”我大哭。-
出国以后第一次看电影，爽了。这么看来原作长度改电影其实正好，质量稳定。（但还是私心想说，直接把乙骨设定成偶然出现的有超强咒力的普通人、然后把这一点作为悬念留到最后的话，剧本不是更好嘛😭芥见下下很会缝而且缝的很好，但是血统论已经够多了啊把出身作为结尾揭秘的一个感觉太下头了x）
爱是最扭曲的诅咒，果然是个纯爱战士的纯爱故事，太喜欢一途和逆梦了，和泥轰人坐到了字幕的最后。
唯心主义世界观下，咒术高专对己方成员（夏油杰）没做好思想教育和心理疏导工作，其投敌后导致咒术高专损失惨重。
看过漫画，剧情其实很一般水准
在樱花上看的95分钟，可能是少了10分钟。没有超出期望，及格分。
4D太值得了！！沉浸式体验“被五条悟打是什么感受”！！极致娱乐项目！！
诅咒密集的地方的话，五条悟老师来我们公司大楼看看吧！
爱情是一种扭曲的视角，放弃主从（支配），放弃惩罚（怨恨），就能狗超越他吗？还是说这种扭曲本身就是爱的能量呢？
没想到乙骨忧太是这样的性格……五条悟的戏份不多，以及这一部的故事四平八稳，每个人物都露下脸……可能预期太高，不如正剧好看。
/
“那是我的好朋友捡到的，唯一的朋友”
如果我有罪 请狗卷前辈用咒言将我制裁🙏🏻卷推看到大背头狂喜… （get到了乙卷 批评la 这么大影院这么多二次元连特典都不发 … （私心觉得怀玉如果能单出一集就好惹
原来乙骨和小五是远房亲戚。另外动作戏还是挺爽的。但是，导演，男主真的有点过于靠近高校之神了。最好“这是纯爱”呵呵呵
看过漫画再看剧场版依然觉得好看，但为了交代人物费了些篇幅，大决战时间有点短，百鬼夜行那边太少了，忧太和杰的对战也不够细，有些诅咒画的还没漫画细。再，五条老师战斗场面太少是减分主要原因（颜狗的哭喊）。
55555555555 纯爱哈哈哈哈哈哈哈哈哈（你这个骗女人的东西哈哈哈哈哈哈哈哈哈哈或或或）
期望多大，失望就有多大。心碎瞬间：5t5说我没时间和你们浪费了。肾上腺素一秒飙升，然后下一秒立马切镜头，立马wei了。
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