The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
大概是最近恐怖片都太烂的缘故,看这部觉得很不错了。
故弄玄虚,其实啥也没有,精神攻击。
献祭就可以治病?所以兄弟俩一直在献祭女性『可能女的比较好对付』。女主最后成功献祭,获得了伤口的痊愈,感觉她有一些想法『渣男遭殃』。
后面高潮一波接一波 当你感觉就这的时候绝对会再次给你惊喜
演员不错,如果我是导演,我就把怪物设计成人形大蛾,会张开翅膀的哈哈哈,总结:便宜没好货,有钱最重要
导演还挺有想法,把批判内核包裹在恐怖片外壳下,就是太粗糙了。
My eyes and ears are bleeding... #TIFF 2021
能有毅力把亲妈都捂死了,最后就把你的崴脚治好了就沉迷了?!
最后的片尾饶舌即兴感很强,很不错!太赞了!
所以安吉拉到底是只什么东西,这剧情走向是越来越离谱,结尾全靠女主rap凑时长是吧
想法类似《异国阴宅》,将一种少数族裔移民的恐惧与焦虑具象化。长时间的铺垫尽管略显冗长,恐怖桥段也比较依赖一惊一乍,但整体氛围还算到位,并且最后的怪物造型设计颇为亮眼。No One Gets Out Alive,离开的人必须在内心“死掉”一部分,才能完成离开,所以才有了“精神弑母”的解脱方式(对过去的执念/归属感/身份认同的割舍)。而半开放结局留给观众的不只是有关角色命运走向的悬念,也是对底层移民残酷性一面的思考。
真没想到口碑这么分裂,我是真的蛮喜欢这部电影的,恐怖又搞笑。
有些地方找吓到我了 所以先不说手机怎也就质量这么好还不离手吧…女主也是绝绝子
女主为什么喊救命,不喊报警,害死热心亲戚😂
打着“行车记录仪”的幌子,到头来是场直播,直播评论区作为互动和破次元最好的要素,虚假得要命,沦为尴尬的画面装饰品。
总之,垃圾电影,谁爱看谁看去
"We did the world a favor, getting rid of our dad."
前面略微缓慢,估计是想为轼母的女主黑化与否做铺垫,稍微有点无聊,后半段开始有趣起来,包括真相的解开,女主被捉,以及后来的反杀。给献祭仪式中出现的恶灵造型点个赞。
永远都在把正面角色受害者弱智化,这样仿佛就合理很多,提升生存人类的智商平均值。
难得没有宗教驱魔没有廉价jumpscare的鬼片 女主还是个懂得补刀的勇士 表扬
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