James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
当所有人都在谈论和解的时候,片中反复出现的“you're a cop killer everywhere you go”才是世间的真实吧/女主演技值得加一星
社会对于这些受过法律惩罚的人,态度都不会好,并不管进去的理由是怎么样,只要进去过,就是坏人。其实呢,并不如此。
老套剧情也是 奈飞破电影 真他妈好哭 ciao
剧情平平无奇。主要欣赏Sandra Bullock的演技 悲痛而又克制
虽然支线剧情凌乱且欠缺收束,配角人物弧光有头没尾,但依然瑕不掩瑜,片子整体很成熟,女主演技非常值得一看
还有人说节奏慢,这节奏不慢,真不慢,很稳当,该讲的都讲了,不该讲的反正也差不多了,就是没铺开,铺开就更长了。电影讲成这样,可以了。
2021年12月25日观看。桑德拉演的很好,情绪拿捏到位。
故事很简单。但女主演技太好了。看到最后情感共鸣催人泪下。
险些酿成三个家庭的悲剧,没搞懂哥哥出轨弟妹那段为什么
成功的翻拍,剧情推进略慢,但还都在点上,四星推荐。
意识到女主角全然是一个高贵的好人时,我觉得这部片的劲儿就全卸了。
看下来剧情线也还算简单明了,桑德拉的表演也还可圈可点。
看下来剧情线也还算简单明了,桑德拉的表演也还可圈可点。
剧情平平无奇。主要欣赏Sandra Bullock的演技 悲痛而又克制
三星半吧。演技一下子抓住人心,让你跟着她一起悲伤克制愤怒。虽说剧情上不是那么完整,妹妹部分有些缺失,但是好像这就是主角角度的人生片段~
非常简单直线的剧情,却被导演调度得大气磅礴,感人至深,又成为桑德拉的一部代表作。
故事情节的推动稍微有些刻意,特别是为了引出最后高潮而安排的两兄弟整绿帽子的剧情,简直离谱。不过整部电影的节奏确实是很抓人,非常扎实没有任何注水成分。
被炒的沸沸扬扬,一定会是今年奥斯卡最佳女主角,看后结果不尽人意。
女主可以拿奥斯卡了。剧情虽然有点为对而对,但她的演技的确是无可指责
不是我喜欢的类型片,但是能完整看完,也值一个三星了。
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