The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
解闷剧情 看着挺乐呵 三部看下来还是最喜欢第一部
满眼疲态
啊这…就给那些演员吧，就一个正义宣传片呗！干嘛说是电影啊﹊
"If you ever don't want to sing, don't. You don't ever have to fear anyone. You are so worthy, Ree. Don't you ever let anybody tell you otherwise"
3.5星吧，前半部分有点拖沓，刀疤还死了有点子难过，剧情冲突的悬疑感有了但是收尾有点平平。
他最几把无聊 还是死了吧
虽然逃狱没成功，逃狱的戏份也不多，但明显节奏比前两部更好了，情节上也更合理
不算特别上乘，快两个半小时的时长竟然只说到amazing grace，后半段的剧情少了条理，aretha的心路历程始终没有说明白，简单的几次谈话和一场现场完全不够给整部电影或者aretha的一生画上句号。不过这么看来女人成功路上最大的阻碍就是男人和为了应付男人用来自我麻痹的酒精或者药物，撑过来的如aretha、mariah，没撑过来的有Whitney、judy，总而言之不要栽在男人上
故事有一些不太对劲的地方。但比较完整，娱乐性够，可看
导演看监狱里伙食太好了刀疤越来越胖了 只好让他领饭盒去了
影片一直在push AF对父权男权的反抗，但是她的灵魂黑夜确实在马丁路德金逝世以后才到来，这种错位导致我到最后其实都不能确定她自己面对的魔鬼到底是什么，最后高潮放在amazing grace呢就更向福音片走了一点，总之不是太看好肥花凭这个角色拿提名
7.
5.6/10，从刀疤的身材可以看出，监狱伙食太好，主角团已经压根不想再逃了。
只要观众愿意看，就可以无穷无尽拍下去……
什么都想讲结果就是什么也没讲…整个情绪也不连贯…平淡得还不如看纪录片…
本来已经觉得肥花唱功震撼，直到片尾Aretha奶奶的footage出来，直接秒杀。电影的话，和Annette正好相反，歌曲足够经典，肥花也足够有才华，加上文戏铺垫，音乐部分情感冲击力很强。但传记部分有些松散，少了条人物发展的arc。
传记电影不是瞎编戏说洒狗血塞入大众喜闻乐见的感情线。JHUD凶悍的表达方式并不足以驾驭艾瑞莎的歌曲。
Trying to hard to get everything in (sufferings from patriarchy and toxic masculinity, influences from MLK and the civil right movements, childhood trauma, alcoholism, motherhood, spirituality, and even a little touch of feminism), leading to a very disconnected story.
这三部真的都还不错，但感觉更适合拍成连续剧，外传我投贺俊一票
最后一部有点普普通通了，可以说都没有越狱情节了。
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