“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.
The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.
As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.
“Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
戏谑得很到位。
哈哈哈从头恶搞到尾，浑身是梗，复联配乐都是直接变奏，最励志的是为了拍电影真的把身材也变成了超级英雄同款（阿汤哥招谁惹谁了哈哈哈哈哈妈的！）
哈哈哈哈哈哈哈哈哈哈哈哈哈哈哈！缺点是屁股太多，我更想它专注吐槽美漫和好莱坞部分。
把漫威dc的超级英雄全都恶搞了个遍，笑出鹅叫
好好笑啊，巴黎圣母院好惨！翻了下导演和演员的作品表，基本都这个尿性哈哈，脑回路蛮有意思的，执行力也挺好。
还是比城市猎人差一点点，尽管这巧合与误会制造的喜剧效果极佳，然而那些解构超级英雄类型片的抖机灵笑点却总给人一种喧宾夺主之感
哈哈哈哈好久没看到这么沙雕好笑的喜剧片了。恶搞的太细节，甚至连斯坦李都没放过
拉肖还是挺有喜剧天赋，这部梗也是很多，熟悉的颜色梗，以及各种超英梗，娱乐看看，挺有意思。
没啥意外，但科比的鞋和片尾出来的时候还是很掉了一地鸡皮疙瘩。
但是解构的程度还不到
76人队球探深得老板信任，提升为助理教练，和老板儿子不和。老板突然去世，儿子接管又让他去当球探，在西班牙野球场发现一个22岁的单亲父亲，打球有天赋，把他弄到美国选秀，第一场发挥不好，球探和老板而发生口角吧被炒，球探自费训练小伙子。在球场上别人挑衅他，差点打人，控制不了情绪，外加因家庭有伤人的前科。就在要回西班牙的前夕，球探的朋友组织一场比赛，小伙子大放异彩，被凯尔特人看中。球探回到76人助理教练的岗位。
有些桥段还是可以的，整体不如前作《城市猎人》，剧情编排和包袱时机都很随意。
有点反套路，一些超级英雄的梗也很搞笑，虽然缺乏逻辑，但是无伤大雅，最后面关于女朋友的身份反转的还算有意思
我笑得最跟的居然是黑人小哥顶着男主脸假拍哪里，法国人发疯起来不是人！
虎头蛇尾，结尾结的太快了，而且冲突点不强烈
细节收的很好。前后呼应。我就喜欢法国人写荤段子毫不遮遮掩掩！君子坦蛋蛋。
很法式，很幽默，尤其是圣母院又着火和靓佬汤屁股中枪的情节
癫狂又不失缜密的戏剧架构！缜密又极尽癫狂的法国情感！
虽然剧情俗套，但看的还是挺开心的，仿佛是细节丰满跌宕起伏的2K个人生涯模式
该说不说，其实平平，但是要多给半星是给亚当桑德勒，还有半星是给题材，近三十年了很少能看到篮球球探题材的电影，看来美国运动橄榄球第一、棒球第二、篮球第三…所以前两项看了很多很高分很经典的各类题材，所以篮球几乎是头一次，也是够难的
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